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This tour has been created for tourists in Rome, who want to explore the relationship between contemporary Rome and the early modern city, as recorded by the artist Giovanni Battista Falda. On this GPS enabled tour, you can get real time directions to each tour stop. At each stop a link will trigger a 3D interactive model of the same space where you are standing, but as it stood in Falda's depictions of Rome in 1676!

Envisioning Baroque Rome is a digital humanities project that provides an internet-based, 3D walkable reconstruction of the city of Rome ca. 1676, using the gaming platform Unity. The reconstruction is grounded in Giovanni Battista Falda’s (1643-1678) great bird’s-eye view map of that year, and subsumes the fine detail of over three hundred views of the city etched by the artist. The project enables visitors to enter the map, strolling the streets of the Baroque city as virtual pedestrians: gazing up at church facades that once towered over surrounding buildings, climbing the Capitoline Hill to look down on the tree-lined cattle market that once filled the ancient forum, crossing the Tiber River on the Ponte S. Angelo to explore the long lost portions of the Borgo neighborhood, even entering the Pantheon and following light from the oculus as it moves across the floor. Reconstructed from the map and etchings of a single artist, made over a period of just fifteen years, Envisioning Baroque Rome recaptures piazzas, streets, fountains, and architecture lost to the various urban renewal campaigns of the intervening centuries.

You can also tour Giovanni Battista Falda’s (1643-1678) great bird’s-eye view map of Rome in 1676 through our Overall Map driven tour.

","flat_pages",[],"icon_color","#D32F2F","id",15,"is_geo",true,"link_address","https://www.baroquerome.org/","link_text","Envisioning Baroque Rome","map_icon","map_overlay","map_type","hybrid","media",[253,254],"meta_description","Through this GPS enabled tour, each tour stop will trigger a 3D interactive model of the same space where you, a tourist in Rome, are standing but as it stood in Falda's depictions of 1676!","mode",{"_35":248,"_76":249},"modes",[243,244,245,246],"open_geographies_endpoint","published","published_on","2026-09-10","read_duration","2 minutes reading","restrict_bounds","restrict_bounds_to_overlay","sanitized_description","This tour has been created for tourists in Rome, who want to explore the relationship between contemporary Rome and the early modern city, as recorded by the artist Giovanni Battista Falda. On this GPS enabled tour, you can get real time directions to each tour stop. At each stop a link will trigger a 3D interactive model of the same space where you are standing, but as it stood in Falda's depictions of Rome in 1676!Envisioning Baroque Rome is a digital humanities project that provides an internet-based, 3D walkable reconstruction of the city of Rome ca. 1676, using the gaming platform Unity. The reconstruction is grounded in Giovanni Battista Falda’s (1643-1678) great bird’s-eye view map of that year, and subsumes the fine detail of over three hundred views of the city etched by the artist. The project enables visitors to enter the map, strolling the streets of the Baroque city as virtual pedestrians: gazing up at church facades that once towered over surrounding buildings, climbing the Capitoline Hill to look down on the tree-lined cattle market that once filled the ancient forum, crossing the Tiber River on the Ponte S. Angelo to explore the long lost portions of the Borgo neighborhood, even entering the Pantheon and following light from the oculus as it moves across the floor. Reconstructed from the map and etchings of a single artist, made over a period of just fifteen years, Envisioning Baroque Rome recaptures piazzas, streets, fountains, and architecture lost to the various urban renewal campaigns of the intervening centuries. You can also tour Giovanni Battista Falda’s (1643-1678) great bird’s-eye view map of Rome in 1676 through our Overall Map driven tour.","splash",{"_76":240,"_123":241,"_125":242},"slug","slugs",[233,234,235,236,237,238,239,16],"stop_count",3,"stops",[87,88,89],"tenant_title","Ecds","title","Exploring Falda's Rome - GPS Enabled Tour","travel_duration","28 minutes walking","theme",{"_35":36,"_76":86},"type","voice_overs",[],"use_directions","ksu",{"_90":208,"_91":23,"_92":-5,"_94":205,"_33":34,"_96":209,"_98":-5,"_29":210,"_100":-5,"_101":-5,"_35":205,"_103":211,"_105":212,"_43":-5,"_47":213,"_49":214,"_109":25,"_110":-5,"_111":-5,"_56":38,"_63":215,"_67":206,"_68":216,"_65":217,"_76":207,"_82":117,"_118":-5,"_119":-5,"_83":218,"_121":25},{"_90":174,"_91":175,"_92":176,"_94":171,"_33":34,"_96":177,"_98":-5,"_29":178,"_100":-5,"_101":-5,"_35":171,"_103":179,"_105":180,"_43":-5,"_47":181,"_49":182,"_109":25,"_110":-5,"_111":-5,"_56":38,"_63":183,"_67":172,"_68":184,"_65":185,"_76":173,"_82":117,"_118":-5,"_119":-5,"_83":186,"_121":25},{"_90":-5,"_91":71,"_92":93,"_94":95,"_33":34,"_96":97,"_98":-5,"_29":99,"_100":-5,"_101":-5,"_35":102,"_103":104,"_105":106,"_43":-5,"_47":107,"_49":108,"_109":25,"_110":-5,"_111":-5,"_56":38,"_63":112,"_67":113,"_68":114,"_65":115,"_76":116,"_82":117,"_118":-5,"_119":-5,"_83":120,"_121":25},"next","position","previous",{"_35":171,"_67":172,"_76":173},"relation_id",62,"address","Piazza Venezia, Roma RM, Italy","article_link","

The facade of the Palazzo di Venezia in the Piazza San Marco was reconstructed from Falda's first published print Disegno delle Fabriche Prospettive e Piazze Fatte Novamente in Roma D’Ordine della S. di N. S. Papa Alexandro VII from 1663. In his later prints from Il nvovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, print 16 and 17, and vol. 3, print 7 and 20, the prints show slivers of the building.

The Campidoglio is an urban portion of Rome that has radically changed in recent history. For the reconstruction of this space in 1676 we consulted works by Giovanni Battista Falda including Fontana Piazza de' ss.ri Muti sotto Campidoglio, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente (print 18), Campidoglio and Altra veduta del' Campidoglio from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, (print 10 and print 11).

Go to the 3D model of the Piazza San Marco and the streets connecting it all the way to the Campidoglio!

","direction_intro","direction_notes",65,"lat",41.8961497,"lng",12.4821173,[139],"","orphaned","parking_lat","parking_lng","The facade of the Palazzo di Venezia in the Piazza San Marco was reconstructed from Falda's first published print Disegno delle Fabriche Prospettive e Piazze Fatte Novamente in Roma D’Ordine della S. di N. S. Papa Alexandro VII from 1663. In his later prints from Il nvovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, print 16 and 17, and vol. 3, print 7 and 20, the prints show slivers of the building. \nThe Campidoglio is an urban portion of Rome that has radically changed in recent history. For the reconstruction of this space in 1676 we consulted works by Giovanni Battista Falda including Fontana Piazza de' ss. ri Muti sotto Campidoglio, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente (print 18), Campidoglio and Altra veduta del' Campidoglio from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, (print 10 and print 11). Go to the 3D model of the Piazza San Marco and the streets connecting it all the way to the Campidoglio!","piazza-san-marco-to-the-campidoglio",[127,128,129,130,131,132,133,134,135,136,137,138,113],{"_76":122,"_123":124,"_125":126},"Piazza San Marco to the Campidoglio","stop","video_embed","video_poster",[],"map_icon_custom","Reconstruction of the Campidoglio based on Giovanni Battista Falda","caption","This screenshot shows the currently published state of the 3D 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Another Flat Page",{"_35":102,"_67":113,"_76":116},2,{"_35":205,"_67":206,"_76":207},"P.za Colonna, Roma RM, Italy","

The Piazza Colonna underwent substantial change throughout the early modern period. Falda's three prints depicted this space: Fontana in Piazza Colonna, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente, print 24; Piazza Colonna su la via del Corso spianata et ampliata and Altra veduta di Piazza Colonna spianata et ampliata, from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, prints 14 and 15.

We also reconstructed the associated Piazza Montecitorio. Visible through the opening in the northwest corner of the Piazza Colonna in two of Falda’s Nuovo Teatro prints, is the partially completed “Palazzo Ludovisi verso M[on]te Citorio.” By 1699, the palace had become the Palazzo della Curia Romana, and in 1871, it became the seat of the Italian Chamber of Deputies and was called the Palazzo Montecitorio, as it is known today. From this space, a print identified as Fontana a Monte Citorio, print 29 from Giovanni Battista Falda’s Le fontane di Roma nelle piazze e lvoghi pvblici della città, con li loro prospetti, come sono al presente shows a fountain by the architect Francesco da Volterra, which was destroyed for the modern piazza.

Explore the early modern spaces of the Piazza Colonna and Montecitorio. Go to the 3D model of the Piazza Colonna!

",33.749,-84.388,[195],"Explore the early modern spaces of the Piazza Colonna and Montecitorio.","The Piazza Colonna underwent substantial change throughout the early modern period. Falda's three prints depicted this space: Fontana in Piazza Colonna, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente, print 24; Piazza Colonna su la via del Corso spianata et ampliata and Altra veduta di Piazza Colonna spianata et ampliata, from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, prints 14 and 15. We also reconstructed the associated Piazza Montecitorio. Visible through the opening in the northwest corner of the Piazza Colonna in two of Falda’s Nuovo Teatro prints, is the partially completed “Palazzo Ludovisi verso M[on]te Citorio.” By 1699, the palace had become the Palazzo della Curia Romana, and in 1871, it became the seat of the Italian Chamber of Deputies and was called the Palazzo Montecitorio, as it is known today. From this space, a print identified as Fontana a Monte Citorio, print 29 from Giovanni Battista Falda’s Le fontane di Roma nelle piazze e lvoghi pvblici della città, con li loro prospetti, come sono al presente shows a fountain by the architect Francesco da Volterra, which was destroyed for the modern piazza. Explore the early modern spaces of the Piazza Colonna and Montecitorio. Go to the 3D model of the Piazza Colonna!",[190,191,192,193,194,172],{"_76":187,"_123":188,"_125":189},[],"Reconstruction of the Piazza Colonna based on Giovanni Battista Falda","This screenshot of the 3D model shows the Piazza Colonna and a sliver of 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del Popolo",{"_35":171,"_67":172,"_76":173},"Piazza del Popolo, Roma RM, Italy","

Giovanni Battista Falda depicted the Piazza del Popolo in his maps, his 1676 map Nuova pianta et alzata della città di Roma con tutte le strade, piazze et edificii de tempi, palazzi, giardini et altre fabbriche antiche e moderne come si trovano al presente nel pontificato di N.S. Papa Innocentio XI con le loro dichiarationi nomi et indice copiosissimo and Recentis Romae ichnographia et hypsographia from 1667, as well as in three prints. These prints include Fontana su la Piazza della Porta del Popolo sotto la Guglia, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente (Figure 1), and Piazza del’Popolo abbellita da N.S. Papa Alesandro VII and Altra veduta della Piazza del’Popolo entrandosi nella citta from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, prints 6 and 7. He also depicted one of the twin churches in the print Templa dicata Sanctissimae Virgini Mariae Montis Sancti et Miraculorum posita in platea urbis è conspectu Portae Flaminiae, etched by Falda for Giovanni Giacomo De Rossi’s Insignium Romæ templorum prospectus exteriores interioresque: a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris, 1684.

We have used these sources, supported by other archival documents and prints by other artists, to reconstruct the space in 1676.

Go to the 3D model of the Piazza del Popolo!

",41.9110159,12.47619,[223],"Explore the Piazza del Popolo.","Giovanni Battista Falda depicted the Piazza del Popolo in his maps, his 1676 map Nuova pianta et alzata della città di Roma con tutte le strade, piazze et edificii de tempi, palazzi, giardini et altre fabbriche antiche e moderne come si trovano al presente nel pontificato di N. S. Papa Innocentio XI con le loro dichiarationi nomi et indice copiosissimo and Recentis Romae ichnographia et hypsographia from 1667, as well as in three prints. These prints include Fontana su la Piazza della Porta del Popolo sotto la Guglia, from Le fontane di Roma nelle piazze e luoghi publici della città, con li loro prospetti, come sono al presente (Figure 1), and Piazza del’Popolo abbellita da N. S. Papa Alesandro VII and Altra veduta della Piazza del’Popolo entrandosi nella citta from Il nuovo teatro delle fabriche, et edificii, in prospettiva di Roma moderna, vol. 1, prints 6 and 7. He also depicted one of the twin churches in the print Templa dicata Sanctissimae Virgini Mariae Montis Sancti et Miraculorum posita in platea urbis è conspectu Portae Flaminiae, etched by Falda for Giovanni Giacomo De Rossi’s Insignium Romæ templorum prospectus exteriores interioresque: a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris, 1684.We have used these sources, supported by other archival documents and prints by other artists, to reconstruct the space in 1676.Go to the 3D model of the Piazza del Popolo!",[222,206],{"_76":219,"_123":220,"_125":221},[],"Reconstruction of the Piazza del Popolo based on Giovanni Battista Falda","This screenshot shows the fountain and twin churches in the Piazza del Popolo.","https://api.opentour.site/ecds/v4/public/media/cxs9zofwedc1uv06gwwp06qn5jqd?variant=desktop","new-stop-1653497470659",{"_94":224,"_91":141,"_123":220,"_142":143,"_144":-5,"_145":-5,"_146":225,"_148":226,"_35":227,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_76":219,"_159":-5,"_160":228},86,"Falda_cropped_Popolo_Screenshot.png",{"_162":229,"_164":230,"_166":231,"_168":221,"_169":232},143,"data:image/png;base64,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","https://api.opentour.site/ecds/v4/public/media/cxs9zofwedc1uv06gwwp06qn5jqd","https://api.opentour.site/ecds/v4/public/media/cxs9zofwedc1uv06gwwp06qn5jqd?variant=mobile","https://api.opentour.site/ecds/v4/public/media/cxs9zofwedc1uv06gwwp06qn5jqd?variant=tablet","https://api.opentour.site/ecds/v4/public/media/cxs9zofwedc1uv06gwwp06qn5jqd?variant=lqip","explorign","exploring","exploring-falda-s","exploring-falda-s-rome-g","exploring-falda-s-rome-gps-i","exploring-falda-s-rome-gps-en","exploring-falda-s-rome-gps-enabled","Virtual Rome at the Carlos Museum","The celebrated bird's-eye view map of Giovanni Battista Falda, published in 1676, is transformed into a virtual, walkable, experience of Rome using the gaming platform NVis360, as part of the Michael C. Carlos Museum's special exhibition, Antichità, Teatro, Magnificenza: Renaissance and Baroque Images of Rome, on view from August 24 through November 17, 2013.\n \nVirtual Rome was created from the great map (1676) and etchings of Giovanni Battista Falda (1643--1678), the map of Giovanni Battista Nolli (1701--1756), and historical and archival research into the fabric of seventeenth-century Rome. 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This Tour Site has tours created by members of ECDS, including local architecture, tours for classes, and tours related to ECDS digital projects.

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