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Explore the Piazza del Popolo in 1676 Rome through this virtual tour. The Piazza del Popolo, as represented by Giovanni Battista Falda in 1676 was a funnel-shaped piazza directing those who entered the Porta del Popolo, including a variety of pilgrims, toward key parts of the city. The piazza was marked by points still familiar, including the twin churches at the entrance to the via del Corso and the obelisk at the center, and less familiar elements, such as the earlier state of the fountain, and the elements not yet added during the implementation of Giuseppe Valadier's redesign. Through this tour, you can become more familiar with the changes to this key urban space through modern history.

Free explore the 3D Virtual Environment of the Piazza del Popolo as recorded by Giovanni Battista Falda by Clicking the Image Below! Or scroll further to tour this area.

Envisioning Baroque Rome is a digital humanities project that \nprovides an internet-based, 3D walkable reconstruction of the city of \nRome ca. 1676, using the gaming platform Unity. The reconstruction is \ngrounded in Giovanni Battista Falda’s (1643-1678) great bird’s-eye view \nmap of that year, and subsumes the fine detail of over three hundred \nviews of the city etched by the artist. The project enables visitors to \nenter the map, strolling the streets of the Baroque city as virtual \npedestrians: gazing up at church facades that once towered over \nsurrounding buildings, climbing the Capitoline Hill to look down on the \ntree-lined cattle market that once filled the ancient forum, crossing \nthe Tiber River on the Ponte S. Angelo to explore the long lost portions\n of the Borgo neighborhood, even entering the Pantheon and following \nlight from the oculus as it moves across the floor. Reconstructed from \nthe map and etchings of a single artist, made over a period of just \nfifteen years, Envisioning Baroque Rome recaptures piazzas, streets, \nfountains, and architecture lost to the various urban renewal campaigns \nof the intervening centuries.

","flat_pages",[],"id",14,"is_geo","link_address","https://baroquerome.org","link_text","Envisioning Baroque Rome","map_icon","map_overlay",{"_34":361,"_362":363,"_364":365,"_366":367,"_368":369,"_370":371,"_372":373},"map_type","roadmap","media",[327,328,329],"meta_description","Explore the Piazza del Popolo in 1676 Rome through this virtual tour. ","mode",{"_34":169,"_76":323},"modes",[319,320,321,322],"open_geographies_endpoint","published","published_on","2026-09-10","read_duration","2 minutes reading","restrict_bounds","restrict_bounds_to_overlay",false,"sanitized_description","Explore the Piazza del Popolo in 1676 Rome through this virtual tour. The Piazza del Popolo, as represented by Giovanni Battista Falda in 1676 was a funnel-shaped piazza directing those who entered the Porta del Popolo, including a variety of pilgrims, toward key parts of the city. The piazza was marked by points still familiar, including the twin churches at the entrance to the via del Corso and the obelisk at the center, and less familiar elements, such as the earlier state of the fountain, and the elements not yet added during the implementation of Giuseppe Valadier's redesign. Through this tour, you can become more familiar with the changes to this key urban space through modern history. Free explore the 3D Virtual Environment of the Piazza del Popolo as recorded by Giovanni Battista Falda by Clicking the Image Below! Or scroll further to tour this area. Envisioning Baroque Rome is a digital humanities project that \nprovides an internet-based, 3D walkable reconstruction of the city of \nRome ca. 1676, using the gaming platform Unity. The reconstruction is \ngrounded in Giovanni Battista Falda’s (1643-1678) great bird’s-eye view \nmap of that year, and subsumes the fine detail of over three hundred \nviews of the city etched by the artist. The project enables visitors to \nenter the map, strolling the streets of the Baroque city as virtual \npedestrians: gazing up at church facades that once towered over \nsurrounding buildings, climbing the Capitoline Hill to look down on the \ntree-lined cattle market that once filled the ancient forum, crossing \nthe Tiber River on the Ponte S. Angelo to explore the long lost portions\n of the Borgo neighborhood, even entering the Pantheon and following \nlight from the oculus as it moves across the floor. Reconstructed from \nthe map and etchings of a single artist, made over a period of just \nfifteen years, Envisioning Baroque Rome recaptures piazzas, streets, \nfountains, and architecture lost to the various urban renewal campaigns \nof the intervening centuries.","splash",{"_76":317,"_126":-5,"_128":318},"slug","slugs",[306,307,308,309,310,311,312,313,314,315,316,16],"stop_count",5,"stops",[88,89,90,91,92],"tenant_title","Ecds","title","Exploring Falda's Rome - Piazza del Popolo Mockup","travel_duration","7 minutes walking","theme",{"_34":86,"_76":87},"type","voice_overs",[],"use_directions",15,"ksu",{"_93":277,"_94":24,"_95":-5,"_97":275,"_99":278,"_101":-5,"_30":279,"_103":-5,"_104":-5,"_105":106,"_34":275,"_107":280,"_109":281,"_41":-5,"_46":282,"_48":276,"_113":62,"_114":-5,"_115":-5,"_55":26,"_63":283,"_67":18,"_68":284,"_65":285,"_76":276,"_82":121,"_122":-5,"_123":-5,"_83":286},{"_93":244,"_94":193,"_95":245,"_97":241,"_99":246,"_101":-5,"_30":247,"_103":-5,"_104":-5,"_105":106,"_34":241,"_107":248,"_109":249,"_41":-5,"_46":250,"_48":251,"_113":62,"_114":-5,"_115":-5,"_55":26,"_63":252,"_67":242,"_68":253,"_65":254,"_76":243,"_82":121,"_122":-5,"_123":-5,"_83":255},{"_93":214,"_94":215,"_95":216,"_97":211,"_99":217,"_101":-5,"_30":218,"_103":-5,"_104":-5,"_105":106,"_34":211,"_107":219,"_109":220,"_41":-5,"_46":221,"_48":222,"_113":62,"_114":-5,"_115":-5,"_55":26,"_63":223,"_67":212,"_68":224,"_65":225,"_76":213,"_82":121,"_122":-5,"_123":-5,"_83":226},{"_93":168,"_94":169,"_95":170,"_97":171,"_99":172,"_101":-5,"_30":173,"_103":-5,"_104":-5,"_105":106,"_34":165,"_107":174,"_109":175,"_41":-5,"_46":176,"_48":177,"_113":62,"_114":-5,"_115":-5,"_55":26,"_63":178,"_67":166,"_68":179,"_65":180,"_76":167,"_82":121,"_122":-5,"_123":-5,"_83":181},{"_93":-5,"_94":71,"_95":96,"_97":98,"_99":100,"_101":-5,"_30":102,"_103":-5,"_104":-5,"_105":106,"_34":98,"_107":108,"_109":110,"_41":-5,"_46":111,"_48":112,"_113":62,"_114":-5,"_115":-5,"_55":26,"_63":116,"_67":117,"_68":118,"_65":119,"_76":120,"_82":121,"_122":-5,"_123":-5,"_83":124},"next","position","previous",{"_34":165,"_67":166,"_76":167},"relation_id",59,"address","34 Decatur St SE, Atlanta, GA 30303, USA","article_link","

Twin churches frame the entrance to the via del Corso from the Piazza del Popolo. These are S. Maria di Montesanto and di S. Maria dei Miracoli at the Piazza del Popolo.

The print Templa dicata Sanctissimae Virgini Mariae Montis Sancti et Miraculorum posita in platea urbis è conspectu Portae Flaminiae, etched by Falda for Giovanni Giacomo De Rossi’s Insignium Romæ templorum prospectus exteriores interioresque: a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris, 1684, was the primary source for the reconstruction of the twin churches.

","direction_intro","direction_notes","icon_color","#D32F2F","lat",33.75389182684863,"lng",-84.38845962432862,[137],"Twin churches of S. Maria di Montesanto and of S. Maria dei Miracoli in the Piazza del Popolo.","orphaned","parking_lat","parking_lng","Twin churches frame the entrance to the via del Corso from the Piazza del Popolo. These are S. Maria di Montesanto and di S. Maria dei Miracoli at the Piazza del Popolo. The print Templa dicata Sanctissimae Virgini Mariae Montis Sancti et Miraculorum posita in platea urbis è conspectu Portae Flaminiae, etched by Falda for Giovanni Giacomo De Rossi’s Insignium Romæ templorum prospectus exteriores interioresque: a celebrioribus architectis inventi: nunc tandem suis cum plantis ac mensuris, 1684, was the primary source for the reconstruction of the twin churches.","the-twin-churches",[130,131,132,133,134,135,136,117],{"_76":125,"_126":127,"_128":129},"The Twin Churches","stop","video_embed","video_poster",[],"G.B. Falda, Altra veduta della Piazza del Popolo entrandosi nella citta, 1665.","caption","Image provided by ECDS Readux.","url","https://api.opentour.site/ecds/v4/public/media/0mocrnek1s3cg0jz1tds63vkrcuf?variant=desktop","new-stop-1653341799501","new-stop-t","new-stop","th","the-t","the-twin-c","the-twin-church",{"_97":138,"_94":24,"_126":127,"_139":140,"_141":-5,"_142":-5,"_143":144,"_145":146,"_34":147,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":125,"_155":-5},97,"desktop_width",750,"embed","embed_id","filename","PopoloNuovoTeatro2.png","files",{"_156":157,"_158":159,"_160":161,"_162":129,"_163":164},156,"lqip_width","mobile_width",300,"original_image","provider","tablet_width",400,"video","original","https://api.opentour.site/ecds/v4/public/media/0mocrnek1s3cg0jz1tds63vkrcuf","mobile","https://api.opentour.site/ecds/v4/public/media/0mocrnek1s3cg0jz1tds63vkrcuf?variant=mobile","tablet","https://api.opentour.site/ecds/v4/public/media/0mocrnek1s3cg0jz1tds63vkrcuf?variant=tablet","desktop","lqip","https://api.opentour.site/ecds/v4/public/media/0mocrnek1s3cg0jz1tds63vkrcuf?variant=lqip",66,"water-troughs","Water Troughs",{"_34":98,"_67":117,"_76":120},4,{"_34":211,"_67":212,"_76":213},63,"Peachtree St at Five Points Station, Atlanta, GA 30303, USA","

Now lost side streets and functional water troughs can be seen on the western side of the Piazza del Popolo.

In cases where the buildings, fountains, and other elements were consistent in both prints and map, we favored the prints as our primary source as they were far more detailed. The prints, Fontana su la Piazza della Porta del Popolo sotto la Guglia, and Piazza del’Popolo abbellita da N.S. Papa Alesandro VII, were therefore the primary sources for the detailed reconstruction of the water trough fountains and the surrounding streets, plants, and buildings on the west side of the piazza.

",33.75338782862851,-84.39028889087677,[190,191],"Functional water troughs.","Now lost side streets and functional water troughs can be seen on the western side of the Piazza del Popolo. In cases where the buildings, fountains, and other elements were consistent in both prints and map, we favored the prints as our primary source as they were far more detailed. The prints, Fontana su la Piazza della Porta del Popolo sotto la Guglia, and Piazza del’Popolo abbellita da N. S. Papa Alesandro VII, were therefore the primary sources for the detailed reconstruction of the water trough fountains and the surrounding streets, plants, and buildings on the west side of the piazza. ",[184,185,186,187,188,189,166],{"_76":182,"_126":127,"_128":183},[],"Detail from Fontana su la Piazza della Porta del Popolo sotto la Guglia.","https://api.opentour.site/ecds/v4/public/media/67fnjxd9m37obdqfkvpkgdndr48q?variant=desktop","new-stop-1653514942771","w","water","water-trou","water-tr","water-tro",{"_97":203,"_94":24,"_126":127,"_139":140,"_141":-5,"_142":-5,"_143":204,"_145":205,"_34":206,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":182,"_155":-5},{"_97":192,"_94":193,"_126":127,"_139":140,"_141":-5,"_142":-5,"_143":194,"_145":195,"_34":196,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":197,"_155":-5},96,2,"PopoloNuovoTeatroCrop.png",{"_156":198,"_158":199,"_160":200,"_162":201,"_163":202},155,"Detail from Piazza del’Popolo abbellita da N.S. Papa Alesandro VII.","https://api.opentour.site/ecds/v4/public/media/ugnlbdnu36uuuwjabch39ofch4s6","https://api.opentour.site/ecds/v4/public/media/ugnlbdnu36uuuwjabch39ofch4s6?variant=mobile","https://api.opentour.site/ecds/v4/public/media/ugnlbdnu36uuuwjabch39ofch4s6?variant=tablet","https://api.opentour.site/ecds/v4/public/media/ugnlbdnu36uuuwjabch39ofch4s6?variant=desktop","https://api.opentour.site/ecds/v4/public/media/ugnlbdnu36uuuwjabch39ofch4s6?variant=lqip",95,"PopoloFontaneCrop.png",{"_156":207,"_158":208,"_160":209,"_162":183,"_163":210},154,"https://api.opentour.site/ecds/v4/public/media/67fnjxd9m37obdqfkvpkgdndr48q","https://api.opentour.site/ecds/v4/public/media/67fnjxd9m37obdqfkvpkgdndr48q?variant=mobile","https://api.opentour.site/ecds/v4/public/media/67fnjxd9m37obdqfkvpkgdndr48q?variant=tablet","https://api.opentour.site/ecds/v4/public/media/67fnjxd9m37obdqfkvpkgdndr48q?variant=lqip",57,"fontana","Fontana",{"_34":165,"_67":166,"_76":167},3,{"_34":241,"_67":242,"_76":243},"1 Peachtree Center Ave NE, Atlanta, GA 30303, USA","

Falda’s print Fontana su la Piazza della Porta del Popolo sotto la Guglia, while created ca. 1675 and published ca. 1691, may reflect the artist's use of an earlier source, as it depicts a garden wall in the background that was replaced in the 17th century with a building.

",33.753856145656144,-84.38991874603272,[232],"Fountain in the Piazza del Popolo","Falda’s print Fontana su la Piazza della Porta del Popolo sotto la Guglia, while created ca. 1675 and published ca. 1691, may reflect the artist's use of an earlier source, as it depicts a garden wall in the background that was replaced in the 17th century with a building.",[229,230,231,212],{"_76":227,"_126":127,"_128":228},[],"G. B. Falda, Fontana su la Piazza della Porta del Popolo sotto la Guglia, 1691.","https://api.opentour.site/ecds/v4/public/media/ht8jlseh32i75tuto29oseksm53y?variant=desktop","new-stop-1653341765592","the","fontan",{"_97":233,"_94":24,"_126":127,"_139":140,"_141":-5,"_142":-5,"_143":234,"_145":235,"_34":236,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":227,"_155":-5},94,"PopoloFontane.png",{"_156":237,"_158":238,"_160":239,"_162":228,"_163":240},153,"https://api.opentour.site/ecds/v4/public/media/ht8jlseh32i75tuto29oseksm53y","https://api.opentour.site/ecds/v4/public/media/ht8jlseh32i75tuto29oseksm53y?variant=mobile","https://api.opentour.site/ecds/v4/public/media/ht8jlseh32i75tuto29oseksm53y?variant=tablet","https://api.opentour.site/ecds/v4/public/media/ht8jlseh32i75tuto29oseksm53y?variant=lqip",58,"the-obelisk","The Obelisk",{"_34":211,"_67":212,"_76":213},{"_34":275,"_67":18,"_76":276},"1 Peachtree St NW, Atlanta, GA 30303, USA","

For the scale of the obelisk in the Piazza del Popolo, we located a print published by Giovanni Battista Cipriani in his Sui dodici obelischi egizj che adornano la città di Roma of 1823, which shows the twelve Egyptian Obelisks of Rome with measured scale. Through our research on the height of the obelisk, we noticed that a change has taken place in the depth of the center of the Piazza del Popolo. In Falda’s prints from Il nuovo teatro and Le fontane di Roma the obelisk stands on a rectangular pedestal base formed of three expanding sections. This base sits directly on the ground in the piazza. In today’s Piazza del Popolo, however, a base of the same shape formed of three expanding rectangular sections sits on top of a platform that is raised by 5 smaller steps and a sixth larger step the height of a bench above the piazza’s paving. The ground level of the piazza was lowered and the fountain moved with the implementation of Luigi Valadier’s redesign in 1816.

",33.75382046444882,-84.39026206878663,[263],"The Obelisk in the Piazza del Popolo","For the scale of the obelisk in the Piazza del Popolo, we located a print published by Giovanni Battista Cipriani in his Sui dodici obelischi egizj che adornano la città di Roma of 1823, which shows the twelve Egyptian Obelisks of Rome with measured scale. Through our research on the height of the obelisk, we noticed that a change has taken place in the depth of the center of the Piazza del Popolo. In Falda’s prints from Il nuovo teatro and Le fontane di Roma the obelisk stands on a rectangular pedestal base formed of three expanding sections. This base sits directly on the ground in the piazza. In today’s Piazza del Popolo, however, a base of the same shape formed of three expanding rectangular sections sits on top of a platform that is raised by 5 smaller steps and a sixth larger step the height of a bench above the piazza’s paving. The ground level of the piazza was lowered and the fountain moved with the implementation of Luigi Valadier’s redesign in 1816. ",[259,260,261,262,242],{"_76":256,"_126":257,"_128":258},[],"Cipriani, Giovanni Battista. 1823. Su i dodici obelischi egizj che adornano la città di Roma.","Public domain; Image provided by Archive.org and scanned by Getty Research Institute.","https://api.opentour.site/ecds/v4/public/media/903p8k4q2f267uvb3a3f23ueap69?variant=desktop","new-stop-1653341782473","t","the-o","the-obel",{"_97":264,"_94":24,"_126":257,"_139":265,"_141":-5,"_142":-5,"_143":266,"_145":267,"_34":268,"_148":215,"_149":269,"_151":-5,"_152":-5,"_153":270,"_76":256,"_155":-5},93,497,"02_suidodiciobelisc00cipr_0033-678x1024.jpg",{"_156":271,"_158":272,"_160":273,"_162":258,"_163":274},152,199,265,"https://api.opentour.site/ecds/v4/public/media/903p8k4q2f267uvb3a3f23ueap69","https://api.opentour.site/ecds/v4/public/media/903p8k4q2f267uvb3a3f23ueap69?variant=mobile","https://api.opentour.site/ecds/v4/public/media/903p8k4q2f267uvb3a3f23ueap69?variant=tablet","https://api.opentour.site/ecds/v4/public/media/903p8k4q2f267uvb3a3f23ueap69?variant=lqip",56,"The Porta del Popolo",{"_34":241,"_67":242,"_76":243},"30 Alabama St SW, Atlanta, GA 30303, USA","

The entrance pilgrims use to enter the city. We used a historical source with measured drawings of the gates of the city of Rome: Luigi Rossini, Le porte antiche e moderne del recinto di Roma con le mura, prospetti e piante geometriche disegnate ed incise dall'architetto, 1829.

",33.753963189189015,-84.39172119049073,[297],"The entrance pilgrims use to enter the city. We used a historical source with measured drawings of the gates of the city of Rome: Luigi Rossini, Le porte antiche e moderne del recinto di Roma con le mura, prospetti e piante geometriche disegnate ed incise dall'architetto, 1829.",[290,291,292,293,294,295,296,18],{"_76":287,"_126":288,"_128":289},[],"G.B. Falda, Piazza del’Popolo abbellita da N.S. Papa Alesandro VII, 1665.","Image provided by ECDS Readux.io.","https://api.opentour.site/ecds/v4/public/media/tgy4ffihhri8me06s9vxisa3l5y4?variant=desktop","new-stop-1653341658495","the-gat","the-gate","the-p","the-por","the-porta-d","the-porta-del-po",{"_97":298,"_94":24,"_126":288,"_139":140,"_141":-5,"_142":-5,"_143":299,"_145":300,"_34":301,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":287,"_155":-5},91,"PopoloNuovoTeatro.png",{"_156":302,"_158":303,"_160":304,"_162":289,"_163":305},149,"https://api.opentour.site/ecds/v4/public/media/tgy4ffihhri8me06s9vxisa3l5y4","https://api.opentour.site/ecds/v4/public/media/tgy4ffihhri8me06s9vxisa3l5y4?variant=mobile","https://api.opentour.site/ecds/v4/public/media/tgy4ffihhri8me06s9vxisa3l5y4?variant=tablet","https://api.opentour.site/ecds/v4/public/media/tgy4ffihhri8me06s9vxisa3l5y4?variant=lqip","expl","exploring-f","exploring-falda-s-ro","exploring-falda-s-rome-pia","exploring-falda-s-rome-piazz","exploring-falda-s-rome-piazza-del","exploring-falda-s-rome-piazza-del-pop","exploring-falda-s-rome-piazza-del-popolo","exploring-falda-s-rome-piazza-del-popolo-m","exploring-falda-s-rome-piazza-del-popolo-mocu","exploring-falda-s-rome-piazza-del-popolo-mock","View of the Piazza del Popolo in Envisioning Baroque Rome","https://api.opentour.site/ecds/v4/public/media/zs0x3et9mzxyj4c2sdw6v6hfkaw6?variant=desktop",{"_97":275,"_34":24,"_76":326},{"_97":211,"_34":193,"_76":325},{"_97":241,"_34":215,"_76":324},{"_97":98,"_34":169,"_76":323},"WALKING","TRANSIT","DRIVING","BICYCLING",{"_97":98,"_94":24,"_126":-5,"_139":140,"_141":-5,"_142":-5,"_143":354,"_145":355,"_34":356,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":317,"_155":-5},{"_97":344,"_94":193,"_126":-5,"_139":140,"_141":-5,"_142":-5,"_143":345,"_145":346,"_34":347,"_148":71,"_149":150,"_151":-5,"_152":-5,"_153":154,"_76":348,"_155":-5},{"_97":330,"_94":215,"_126":331,"_139":-5,"_141":332,"_142":333,"_143":334,"_145":335,"_34":336,"_148":-5,"_149":-5,"_151":-5,"_152":337,"_153":-5,"_76":338,"_155":333},53,"The celebrated bird's-eye view map of Giovanni Battista Falda, published in 1676, is transformed into a virtual, walkable, experience of Rome using the gaming platform NVis360, as part of the Michael C. 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This Tour Site has tours created by members of ECDS, including local architecture, tours for classes, and tours related to ECDS digital projects.

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