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This is a tour for introducing classes to the architecture of the main Emory University quadrangle on the Clifton Campus.

The Emory quadrangle has undergone a lot of phases of construction and changes to the overall plan since its first design in 1915 by Henry Hornbostel, of the architecture firm Palmer, Hornbostel, and Jones. The original Hornbostel plan for the quadrangle includes Michael C. Carlos Hall, which is the current Art History Building and was originally the Law School, and Convocation Hall, which was originally the School of Theology. However, these similar buildings, which, except for unique ornament, mirror across the quadrangle, were intended originally to sit on either side of a never-constructed central grand library building. You can see the design in the media slider above.

The style of Hornbostel's design finds its origin in his training in the Beaux-Arts school. Hornbostel drew on Italian Renaissance architecture to inform his design. He was inspired by elements of the Georgia weather and rolling hills of the landscape that he associated with Italy. In addition to design details, such as arches, inspired by Italian Renaissance architecture, Hornbostel's use of local Georgia marble was inspired by the use of local Italian marble in Italian Renaissance buildings. The marble used on Emory's buildings was quarried in Georgia, including the unique Etowah Fleuri pink marble along with Cherokee White and Georgia Creole or Pearl Grey.

The architecture of quadrangle has continued to grow and evolve with modern and contemporary architecture practices over the last more than 100 years. White Hall and Cannon Chapel present clear examples of modern and postmodern architecture among buildings that more closely reference the original architectural style. The addition of the Michael C. Carlos Museum, designed by Michael Graves in the mid-1980's, greatly reoriented visitors' perception of the overall space. Emory has continued to build since the early 2000's, focusing on making campus pedestrian friendly and inviting through open space projects.

The stops are organized in sequence of the date of construction, but can be followed in any order by going to the map view.

Sources and Further Reading:

\"Georgia marble continues to be a mainstay on college campus.\" April 1, 2008. Stone World, accessed January 30, 2024. https://www.stoneworld.com/articles/85075-georgia-marble-continues-to-be-a-mainstay-on-college-campus
Poling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.
Ricker, Michelle. \"How Emory Works: Building an Inviting Campus.\" Emory News Center, January 22, 2024, https://news.emory.edu/stories/2024/01/er_building_campus_10-01-24/story.html.

","flat_pages",[916],"icon_color","#D32F2F","id",28,"is_geo",true,"link_address","link_text","map_icon","map_overlay","map_type","satellite","media",[877,878,879,880,881],"meta_description","This is a tour for introducing classes to the architecture of the main Emory University quadrangle on the Clifton Campus.","mode",{"_38":217,"_77":875},"modes",[872,873],"open_geographies_endpoint","published","published_on","2026-08-28","read_duration","11 minutes reading","restrict_bounds","restrict_bounds_to_overlay","sanitized_description","This is a tour for introducing classes to the architecture of the main Emory University quadrangle on the Clifton Campus. The Emory quadrangle has undergone a lot of phases of construction and changes to the overall plan since its first design in 1915 by Henry Hornbostel, of the architecture firm Palmer, Hornbostel, and Jones. The original Hornbostel plan for the quadrangle includes Michael C. Carlos Hall, which is the current Art History Building and was originally the Law School, and Convocation Hall, which was originally the School of Theology. However, these similar buildings, which, except for unique ornament, mirror across the quadrangle, were intended originally to sit on either side of a never-constructed central grand library building. You can see the design in the media slider above. The style of Hornbostel's design finds its origin in his training in the Beaux-Arts school. Hornbostel drew on Italian Renaissance architecture to inform his design. He was inspired by elements of the Georgia weather and rolling hills of the landscape that he associated with Italy. In addition to design details, such as arches, inspired by Italian Renaissance architecture, Hornbostel's use of local Georgia marble was inspired by the use of local Italian marble in Italian Renaissance buildings. The marble used on Emory's buildings was quarried in Georgia, including the unique Etowah Fleuri pink marble along with Cherokee White and Georgia Creole or Pearl Grey. The architecture of quadrangle has continued to grow and evolve with modern and contemporary architecture practices over the last more than 100 years. White Hall and Cannon Chapel present clear examples of modern and postmodern architecture among buildings that more closely reference the original architectural style. The addition of the Michael C. Carlos Museum, designed by Michael Graves in the mid-1980's, greatly reoriented visitors' perception of the overall space. Emory has continued to build since the early 2000's, focusing on making campus pedestrian friendly and inviting through open space projects. The stops are organized in sequence of the date of construction, but can be followed in any order by going to the map view. Sources and Further Reading:\"Georgia marble continues to be a mainstay on college campus.\" April 1, 2008. Stone World, accessed January 30, 2024. https://www. stoneworld. com/articles/85075-georgia-marble-continues-to-be-a-mainstay-on-college-campusPoling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.Ricker, Michelle. \"How Emory Works: Building an Inviting Campus.\" Emory News Center, January 22, 2024, https://news. emory. edu/stories/2024/01/er_building_campus_10-01-24/story. html.","splash",{"_77":869,"_131":870,"_133":871},"slug","slugs",[868,16],"stop_count",10,"stops",[89,90,91,92,93,94,95,96,97,98],"tenant_title","Ecds","title","Emory Quadrangle Architecture Tour","travel_duration","31 minutes walking","theme",{"_38":87,"_77":88},"type","voice_overs",[],"use_directions",11,"emory",{"_99":720,"_100":24,"_101":-5,"_103":335,"_36":37,"_105":721,"_107":-5,"_32":722,"_109":-5,"_110":-5,"_38":104,"_112":723,"_114":724,"_44":-5,"_48":725,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":726,"_68":718,"_69":727,"_66":728,"_77":719,"_83":126,"_127":-5,"_128":-5,"_84":729,"_130":28},{"_99":637,"_100":172,"_101":638,"_103":192,"_36":37,"_105":639,"_107":-5,"_32":640,"_109":-5,"_110":-5,"_38":457,"_112":641,"_114":642,"_44":-5,"_48":643,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":644,"_68":635,"_69":645,"_66":646,"_77":636,"_83":126,"_127":-5,"_128":-5,"_84":647,"_130":28},{"_99":554,"_100":140,"_101":555,"_103":258,"_36":37,"_105":556,"_107":-5,"_32":557,"_109":-5,"_110":-5,"_38":407,"_112":558,"_114":559,"_44":-5,"_48":560,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":561,"_68":18,"_69":562,"_66":563,"_77":553,"_83":126,"_127":-5,"_128":-5,"_84":564,"_130":28},{"_99":495,"_100":217,"_101":496,"_103":497,"_36":37,"_105":498,"_107":-5,"_32":499,"_109":-5,"_110":-5,"_38":264,"_112":500,"_114":501,"_44":-5,"_48":502,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":503,"_68":493,"_69":504,"_66":505,"_77":494,"_83":126,"_127":-5,"_128":-5,"_84":506,"_130":28},{"_99":455,"_100":286,"_101":456,"_103":457,"_36":37,"_105":458,"_107":-5,"_32":459,"_109":-5,"_110":-5,"_38":452,"_112":460,"_114":461,"_44":-5,"_48":462,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":463,"_68":453,"_69":464,"_66":465,"_77":454,"_83":126,"_127":-5,"_128":-5,"_84":466,"_130":28},{"_99":404,"_100":405,"_101":406,"_103":407,"_36":37,"_105":408,"_107":-5,"_32":409,"_109":-5,"_110":-5,"_38":401,"_112":410,"_114":411,"_44":-5,"_48":412,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":413,"_68":402,"_69":414,"_66":415,"_77":403,"_83":126,"_127":-5,"_128":-5,"_84":416,"_130":28},{"_99":338,"_100":339,"_101":340,"_103":341,"_36":37,"_105":342,"_107":-5,"_32":343,"_109":-5,"_110":-5,"_38":335,"_112":344,"_114":345,"_44":-5,"_48":346,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":347,"_68":336,"_69":348,"_66":349,"_77":337,"_83":126,"_127":-5,"_128":-5,"_84":350,"_130":28},{"_99":261,"_100":262,"_101":263,"_103":264,"_36":37,"_105":265,"_107":-5,"_32":266,"_109":-5,"_110":267,"_38":258,"_112":268,"_114":269,"_44":-5,"_48":270,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":271,"_68":259,"_69":272,"_66":273,"_77":260,"_83":126,"_127":-5,"_128":-5,"_84":274,"_130":28},{"_99":195,"_100":196,"_101":197,"_103":198,"_36":37,"_105":199,"_107":-5,"_32":200,"_109":-5,"_110":-5,"_38":192,"_112":201,"_114":202,"_44":-5,"_48":203,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":204,"_68":193,"_69":205,"_66":206,"_77":194,"_83":126,"_127":-5,"_128":-5,"_84":207,"_130":28},{"_99":-5,"_100":72,"_101":102,"_103":104,"_36":37,"_105":106,"_107":-5,"_32":108,"_109":-5,"_110":-5,"_38":111,"_112":113,"_114":115,"_44":-5,"_48":116,"_50":117,"_118":28,"_119":-5,"_120":-5,"_57":41,"_64":121,"_68":122,"_69":123,"_66":124,"_77":125,"_83":126,"_127":-5,"_128":-5,"_84":129,"_130":28},"next","position","previous",{"_38":192,"_68":193,"_77":194},"relation_id",111,"address","571 South Kilgo Cir NE, Atlanta, GA 30322, USA","article_link","

The Michael C. Carlos Museum was constructed in 1993. Drawings from his design iterations can be seen in the Michael C. Carlos digital collections. The museum collections were previously housed in the Emory University Museum of Art and Archaeology in Michael C. Carlos Hall, which was also renovated by Graves in 1983-1985. The new structure filled a gap between Carlos Hall and Bowden Hall. The gap previously had sloped naturally down to the creek behind, and in 1955 the Mizell Memorial Stairway was constructed in honor of Robert Cotter Mizell on it to connect the bridge below to the Quadrangle above. The dedication to Mizell can still be found on the smaller stairway to the east of the museum.

Graves used postmodern architecture to incorporate traditional elements of the surrounding buildings with modern lines and added elements of ancient architecture to reference the collections inside the museum. In 1982 Graves published \"A Case for Figurative Architecture,\" arguing for his perspective on architecture. In this essay he argues for architecture to be more than just built for utility and on \"technical criteria alone\", and rather to be aware when constructing architecture of \"the possible cultural influences on building.\" The references in the architecture of the Carlos Museum to antiquity, the pyramidal stairs on the front and entrance in the back, as well as the columnar pillars above the entrance show such a respect for the cultural aspect of the building. Additionally, the scale of the building and marble ornament were designed to accommodate the cultural context of the Emory Quadrangle and the surrounding buildings built with Hornbostel's design in mind.

Sources and Further Reading:

Graves, Michael. 1982. \"A Case for Figurative Architecture.\" In Michael Graves, Buildings and Projects, 1966-1981, edited by M. Graves, V. Scully, K.V. Nichols, P. Arnell and T. Bickford, 11-13: Rizzoli.
Graves, Michael. 1984-1992. Assorted Works. In Michael C. Carlos Museum Collection. https://collections.carlos.emory.edu/people/2296/michael-graves/objects
Hauk, Gary S. 2019. \"Mr. Woodruff and the Three Wise Men,\" Emory Historian's Blog, accessed March 19, 2024. https://emoryhistorian.org/2019/02/07/mr-woodruff-and-the-three-wise-men/.
Michael Graves Firm. \"Michael C. Carlos Museum, Emory University,\" accessed January 30, 2024. https://michaelgraves.com/legacy-project/michael-c-carlos-museum-emory-university/
Poling, Clark V. 1985. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology.
Wilk, Christopher. \"Michael Graves and the Figurative Impulse.\" In Postmodernism: Style and Subversion, 1970-1990, edited by Glenn Adamson, Jane Pavitt, and Paola Antonelli, 228-233. London, New York: V & A Pub.; Distributed in North America by Harry N. Abrams Inc. London, New York, 2011.

","direction_intro","direction_notes",114,"lat",33.79054320081841,"lng",-84.32420874141694,[136,137,138],"","orphaned","parking_lat","parking_lng","The Michael C. Carlos Museum was constructed in 1993. Drawings from his design iterations can be seen in the Michael C. Carlos digital collections. The museum collections were previously housed in the Emory University Museum of Art and Archaeology in Michael C. Carlos Hall, which was also renovated by Graves in 1983-1985. The new structure filled a gap between Carlos Hall and Bowden Hall. The gap previously had sloped naturally down to the creek behind, and in 1955 the Mizell Memorial Stairway was constructed in honor of Robert Cotter Mizell on it to connect the bridge below to the Quadrangle above. The dedication to Mizell can still be found on the smaller stairway to the east of the museum. Graves used postmodern architecture to incorporate traditional elements of the surrounding buildings with modern lines and added elements of ancient architecture to reference the collections inside the museum. In 1982 Graves published \"A Case for Figurative Architecture,\" arguing for his perspective on architecture. In this essay he argues for architecture to be more than just built for utility and on \"technical criteria alone\", and rather to be aware when constructing architecture of \"the possible cultural influences on building.\" The references in the architecture of the Carlos Museum to antiquity, the pyramidal stairs on the front and entrance in the back, as well as the columnar pillars above the entrance show such a respect for the cultural aspect of the building. Additionally, the scale of the building and marble ornament were designed to accommodate the cultural context of the Emory Quadrangle and the surrounding buildings built with Hornbostel's design in mind. Sources and Further Reading:Graves, Michael. 1982. \"A Case for Figurative Architecture.\" In Michael Graves, Buildings and Projects, 1966-1981, edited by M. Graves, V. Scully, K. V. Nichols, P. Arnell and T. Bickford, 11-13: Rizzoli. Graves, Michael. 1984-1992. Assorted Works. In Michael C. Carlos Museum Collection. https://collections. carlos. emory. edu/people/2296/michael-graves/objectsHauk, Gary S. 2019. \"Mr. Woodruff and the Three Wise Men,\" Emory Historian's Blog, accessed March 19, 2024. https://emoryhistorian. org/2019/02/07/mr-woodruff-and-the-three-wise-men/.Michael Graves Firm. \"Michael C. Carlos Museum, Emory University,\" accessed January 30, 2024. https://michaelgraves. com/legacy-project/michael-c-carlos-museum-emory-university/Poling, Clark V. 1985. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology. Wilk, Christopher. \"Michael Graves and the Figurative Impulse.\" In Postmodernism: Style and Subversion, 1970-1990, edited by Glenn Adamson, Jane Pavitt, and Paola Antonelli, 228-233. London, New York: V & A Pub.; Distributed in North America by Harry N. Abrams Inc. London, New York, 2011.","michael-c-carlos-museum",[135,122],{"_77":117,"_131":132,"_133":134},"Michael C. Carlos Museum","stop","video_embed","video_poster",[],"map_icon_custom","caption","The front of the Michael C. 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Cannon Chapel was added to Emory as a replacement when the Durham Chapel in Convocation Hall (the School of Theology) was converted to library space. The Durham Chapel has since been renovated back to its historical design in 2014-2019 and functions as a reception space.

Cannon Chapel was built from 1979-1982 by Paul Rudolph, and added postmodern architectural style to the Quadrangle. Though set back from the quadrangle, the ramp providing access from the main Quadrangle connects the spaces, inviting the visitor to the chapel. The postmodern chapel combines the cement construction of brutalist architecture, a style for which Rudolph was known and that is also found in White Hall and Woodruff Library on the Quadrangle, with arched roof lines in terra cotta tiles that recall the shapes and materials of Hornbostel's Convocation Hall. The cement walls of Cannon Chapel are textured in slanting lines that call attention to that shape and add ornament and interest. The roofline and slender pilotis also recall the work of Le Corbusier.

The secondary space outside Cannon Chapel, behind Convocation hall was also redesigned and enlarged to provide more organized student space with the 2014 renovation for the Pitts Theology Library.

Sources and Further Reading:

Gournay, Isabelle, Paul G. Beswick, Gerald W. Sams, and American Institute of Architects. AIA Guide to the Architecture of Atlanta. Athens: University of Georgia Press, 1993.
Poling, Clark V. author. Henry Hornbostel, Michael Graves: An Exhibition of Architectural Drawings, Photographs and Models, March 7-May 15, 1985, Emory University Museum of Art and Archaeology, Michael C. Carlos Hall, Emory University, Atlanta, Georgia. Edited by Art Emory University. Museum of and Archaeology. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.
Rudolph, Paul. \"[Emory University (Pitts Theology Library Addition and William R. Cannon Chapel)].\" still image. (1974 1974). https://www.loc.gov/pictures/item/2023675740/.
Rudolph, Paul. \"[Emory University (Pitts Theology Library Addition and William R. Cannon Chapel)].\" [In en]. still image. (1974 1974). https://www.loc.gov/pictures/item/2023675853/.

",33.791391452794315,-84.32489538692475,[212,213,214,215],"\nCannon Chapel was added to Emory as a replacement when the Durham Chapel in Convocation Hall (the School of Theology) was converted to library space. The Durham Chapel has since been renovated back to its historical design in 2014-2019 and functions as a reception space. Cannon Chapel was built from 1979-1982 by Paul Rudolph, and added postmodern architectural style to the Quadrangle. Though set back from the quadrangle, the ramp providing access from the main Quadrangle connects the spaces, inviting the visitor to the chapel. The postmodern chapel combines the cement construction of brutalist architecture, a style for which Rudolph was known and that is also found in White Hall and Woodruff Library on the Quadrangle, with arched roof lines in terra cotta tiles that recall the shapes and materials of Hornbostel's Convocation Hall. The cement walls of Cannon Chapel are textured in slanting lines that call attention to that shape and add ornament and interest. The roofline and slender pilotis also recall the work of Le Corbusier. The secondary space outside Cannon Chapel, behind Convocation hall was also redesigned and enlarged to provide more organized student space with the 2014 renovation for the Pitts Theology Library. Sources and Further Reading: Gournay, Isabelle, Paul G. Beswick, Gerald W. Sams, and American Institute of Architects. AIA Guide to the Architecture of Atlanta. Athens: University of Georgia Press, 1993.Poling, Clark V. author. Henry Hornbostel, Michael Graves: An Exhibition of Architectural Drawings, Photographs and Models, March 7-May 15, 1985, Emory University Museum of Art and Archaeology, Michael C. Carlos Hall, Emory University, Atlanta, Georgia. Edited by Art Emory University. Museum of and Archaeology. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.Rudolph, Paul. \"[Emory University (Pitts Theology Library Addition and William R. Cannon Chapel)].\" still image. (1974 1974). https://www. loc. gov/pictures/item/2023675740/.Rudolph, Paul. \"[Emory University (Pitts Theology Library Addition and William R. Cannon Chapel)].\" [In en]. still image. 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C. White Hall",{"_38":192,"_68":193,"_77":194},8,{"_38":335,"_68":336,"_77":337},109,"301 Dowman Dr, Atlanta, GA 30307, USA","

Goodrich C. White Hall was a later addition to the Emory quadrangle, having been constructed in 1977 by architects Morris Hall and Peter Norris. It added a modern architectural brutalist building in contrast to the surrounding Beaux Arts buildings with Italian Renaissance references on the Quadrangle. The brutalist style does not consider the context of the Quadrangle or other architecture, but does provide a highly functional building with frequented classrooms, offices, and auditorium spaces.

Sources and Further Reading:

\"White Hall | Emory University | Atlanta Ga.\" 2024, accessed March 19, 2024, https://filming.emory.edu/film-locations/mc_whitehall.html.
Craig, R. M. 2012. \"Emory University Quadrangle, Atlanta, Georgia.\" SAH Archipedia, accessed March 19, 2024, from https://sah-archipedia.org/buildings/GA-01-089-0052.
Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013)

","

",33.79068846004801,-84.32563031219483,[280,281,282,283,284],"Goodrich C. White Hall was a later addition to the Emory quadrangle, having been constructed in 1977 by architects Morris Hall and Peter Norris. It added a modern architectural brutalist building in contrast to the surrounding Beaux Arts buildings with Italian Renaissance references on the Quadrangle. The brutalist style does not consider the context of the Quadrangle or other architecture, but does provide a highly functional building with frequented classrooms, offices, and auditorium spaces. Sources and Further Reading:\"White Hall | Emory University | Atlanta Ga.\" 2024, accessed March 19, 2024, https://filming. emory. edu/film-locations/mc_whitehall. html. Craig, R. M. 2012. \"Emory University Quadrangle, Atlanta, Georgia.\" SAH Archipedia, accessed March 19, 2024, from https://sah-archipedia. org/buildings/GA-01-089-0052.Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013)",[278,279,259],{"_77":275,"_131":276,"_133":277},[],"White Hall from the Quad","Photograph 2024 by J. 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Photograph 2024, J. Mundy, CC-BY.","IMG_8260.jpg",{"_161":301,"_163":302,"_165":303,"_167":304,"_169":305},296,"https://api.opentour.site/ecds/v4/public/media/dh6waqg4sfwlez83ktgzgjm8wriz","https://api.opentour.site/ecds/v4/public/media/dh6waqg4sfwlez83ktgzgjm8wriz?variant=mobile","https://api.opentour.site/ecds/v4/public/media/dh6waqg4sfwlez83ktgzgjm8wriz?variant=tablet","https://api.opentour.site/ecds/v4/public/media/dh6waqg4sfwlez83ktgzgjm8wriz?variant=desktop","https://api.opentour.site/ecds/v4/public/media/dh6waqg4sfwlez83ktgzgjm8wriz?variant=lqip",158,"White Hall facing Pitts Theology Library plaza. 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W. Woodruff Library",{"_38":258,"_68":259,"_77":260},7,{"_38":401,"_68":402,"_77":403},105,"480 South Kilgo Cir NE, Atlanta, GA 30322, USA","

The Robert W. Woodruff Library was constructed in 1968-1969, designed by Warner Burns Toan Lunde, as a brutalist modern tower to house the library stacks above with an open airy main level gallery, the remains of which are now the Schatten Gallery, connecting to cement patio spaces on the north and south. The patios to the north connected with a bridge over the natural gorge back toward the ground level of the earlier Candler Library.

In 1995 Emory needed further expansion of library spaces as well as more spaces for computing and media. Woodruff Library's cylindrical front portion was designed to connect not only the stacks in the 1969 tower to the traditional Candler Library space, but also to bridge the libraries both literally and architecturally. Shepley Bulfinch Richardson and Abbott (SBRA) designed the postmodernist front portion, called the Center for Library and Information Resources (CLAIR) at the time and now a part of Woodruff Library, to draw the focus of the library towards the main Quadrangle, where the tower had been separated from it by design, distance, and a natural gorge. The marble detailing and building height connect this portion of Woodruff Library to the traditional architecture of the Quadrangle, while the large windows and flat geometric forms forms connect to the brutalist tower behind.

Sources and Further Reading:

Keilor, Mia. \"Center for Library and Information Resources, Emory University.\" Architectural Record, vol. 186, no. 10 (October, 1998): 162-63.
kttanaka. \"Woodruff Library’s 50th Anniversary!\" Emory Libraries Blog, \n(October 28, 2019), accessed March 19, 2024. \nhttps://scholarblogs.emory.edu/woodruff/news/woodruff-library-turns-50.

",33.790904432857964,-84.32326996826173,[355,356,357,358],"The Robert W. Woodruff Library was constructed in 1968-1969, designed by Warner Burns Toan Lunde, as a brutalist modern tower to house the library stacks above with an open airy main level gallery, the remains of which are now the Schatten Gallery, connecting to cement patio spaces on the north and south. The patios to the north connected with a bridge over the natural gorge back toward the ground level of the earlier Candler Library. In 1995 Emory needed further expansion of library spaces as well as more spaces for computing and media. Woodruff Library's cylindrical front portion was designed to connect not only the stacks in the 1969 tower to the traditional Candler Library space, but also to bridge the libraries both literally and architecturally. Shepley Bulfinch Richardson and Abbott (SBRA) designed the postmodernist front portion, called the Center for Library and Information Resources (CLAIR) at the time and now a part of Woodruff Library, to draw the focus of the library towards the main Quadrangle, where the tower had been separated from it by design, distance, and a natural gorge. The marble detailing and building height connect this portion of Woodruff Library to the traditional architecture of the Quadrangle, while the large windows and flat geometric forms forms connect to the brutalist tower behind. Sources and Further Reading: Keilor, Mia. \"Center for Library and Information Resources, Emory University.\" Architectural Record, vol. 186, no. 10 (October, 1998): 162-63. kttanaka. \"Woodruff Library’s 50th Anniversary!\" Emory Libraries Blog, \n(October 28, 2019), accessed March 19, 2024. \nhttps://scholarblogs. emory. edu/woodruff/news/woodruff-library-turns-50.",[353,354,336],{"_77":117,"_131":351,"_133":352},[],"Photograph CC-BY-SA 2.0 - Uploaded to Wikimedia by Brett Weinstein 24 March 2007","https://api.opentour.site/ecds/v4/public/media/ana4z5chdxrsg3zhaql7yin1pchb?variant=desktop","new-stop-1706561952028","woodruff-library",{"_103":392,"_100":24,"_131":351,"_142":143,"_144":-5,"_145":-5,"_146":393,"_148":394,"_38":395,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5,"_186":396},{"_103":381,"_100":172,"_131":382,"_142":143,"_144":-5,"_145":-5,"_146":383,"_148":384,"_38":385,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":386,"_160":-5},{"_103":370,"_100":140,"_131":371,"_142":143,"_144":-5,"_145":-5,"_146":372,"_148":373,"_38":374,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":375,"_160":-5},{"_103":359,"_100":217,"_131":360,"_142":143,"_144":-5,"_145":-5,"_146":361,"_148":362,"_38":363,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":364,"_160":-5},210,"The side view of Woodruff Library shows the platform from the original design and the connection to the CLAIR. March 12, 2025, Photograph CC-BY J. Mundy.","IMG_1981.JPG",{"_161":365,"_163":366,"_165":367,"_167":368,"_169":369},332,"Side View of Woodruff Library","https://api.opentour.site/ecds/v4/public/media/xw03c8ro0so78au174qovnczjqde","https://api.opentour.site/ecds/v4/public/media/xw03c8ro0so78au174qovnczjqde?variant=mobile","https://api.opentour.site/ecds/v4/public/media/xw03c8ro0so78au174qovnczjqde?variant=tablet","https://api.opentour.site/ecds/v4/public/media/xw03c8ro0so78au174qovnczjqde?variant=desktop","https://api.opentour.site/ecds/v4/public/media/xw03c8ro0so78au174qovnczjqde?variant=lqip",201,"Entrance to Woodruff Library Center for Library and Information Resources (CLAIR), August 2017, Photograph CC-BY J. 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The Administration Building was added to the Emory Quadrangle\nin 1955 based on a donation from Charles Howard Candler Sr., and finally closed the fourth side of the Quadrangle. The Administration\noffices had previously been located in Candler Library on the opposite end of the\nQuadrangle. Like the slightly earlier Bowden Hall, the building, with its three central arches and grey and white marble, was designed to call on the Italian Renaissance themes of the older Quadrangle architecture. The main building is dressed in white with grey quoins, and a molding of pink Etowah marble at the roof line ties the building further to the rest of the Quadrangle. While originally chosen as a cost effective material, local Georgia marble has increased in cost considerably, requiring it be used with increasing care over time.

Sources and Further Reading:

\"Georgia marble continues to be a mainstay on college campus.\" April 1, 2008. Stone World, accessed January 30, 2024. https://www.stoneworld.com/articles/85075-georgia-marble-continues-to-be-a-mainstay-on-college-campus
Hauk, Gary S. Emory as Place: Meaning in a University Landscape. Athens, Georgia: The University of Georgia Press Athens, Georgia, 2019.

\n\n",33.790229993890236,-84.32543182872773,[420,421,422],"\n\nThe Administration Building was added to the Emory Quadrangle\nin 1955 based on a donation from Charles Howard Candler Sr., and finally closed the fourth side of the Quadrangle. The Administration\noffices had previously been located in Candler Library on the opposite end of the\nQuadrangle. Like the slightly earlier Bowden Hall, the building, with its three central arches and grey and white marble, was designed to call on the Italian Renaissance themes of the older Quadrangle architecture. The main building is dressed in white with grey quoins, and a molding of pink Etowah marble at the roof line ties the building further to the rest of the Quadrangle. While originally chosen as a cost effective material, local Georgia marble has increased in cost considerably, requiring it be used with increasing care over time. Sources and Further Reading: \"Georgia marble continues to be a mainstay on college campus.\" April 1, 2008. Stone World, accessed January 30, 2024. https://www. stoneworld. com/articles/85075-georgia-marble-continues-to-be-a-mainstay-on-college-campusHauk, Gary S. Emory as Place: Meaning in a University Landscape. Athens, Georgia: The University of Georgia Press Athens, Georgia, 2019.\n\n",[419,402],{"_77":403,"_131":417,"_133":418},[],"Photograph CC-BY-SA by Daniel Mayer.","https://api.opentour.site/ecds/v4/public/media/zfe8f874zmvyyv8hujsf4ms7uqpw?variant=desktop","new-stop-1710744027906",{"_103":443,"_100":24,"_131":417,"_142":143,"_144":-5,"_145":-5,"_146":444,"_148":445,"_38":446,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":403,"_160":-5,"_186":447},{"_103":433,"_100":172,"_131":434,"_142":143,"_144":-5,"_145":-5,"_146":435,"_148":436,"_38":437,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":423,"_100":140,"_131":424,"_142":143,"_144":-5,"_145":-5,"_146":425,"_148":426,"_38":427,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},196,"The Administration building facing the Quadrangle. Photograph 2024, J. Mundy, CC-BY.","IMG_8256.jpg",{"_161":428,"_163":429,"_165":430,"_167":431,"_169":432},294,"https://api.opentour.site/ecds/v4/public/media/2su93xil3sh0ghmxy0knx1xuysa1","https://api.opentour.site/ecds/v4/public/media/2su93xil3sh0ghmxy0knx1xuysa1?variant=mobile","https://api.opentour.site/ecds/v4/public/media/2su93xil3sh0ghmxy0knx1xuysa1?variant=tablet","https://api.opentour.site/ecds/v4/public/media/2su93xil3sh0ghmxy0knx1xuysa1?variant=desktop","https://api.opentour.site/ecds/v4/public/media/2su93xil3sh0ghmxy0knx1xuysa1?variant=lqip",195,"The Administration building showing Etowah marble molding, grey quoins, and Cherokee white exterior. Photograph 2024, J. 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L. Bowden Hall",{"_38":401,"_68":402,"_77":403},{"_38":264,"_68":493,"_77":494},113,"561 South Kilgo Cir NE, Atlanta, GA 30322, USA","

Not constructed until 1951, the History Building, now Bowden Hall, was constructed to match the other buildings on the quadrangle from the teens and twenties, referencing the Beaux Arts designs of Henry Hornbostel. While the arched entrance with architectural detail, in this case a small pediment, calls on those of Convocation Hall, Michael C. Carlos Hall, and the Callaway Memorial Center, the building lacks the glazed tiles found on the earlier buildings entrances and eaves. The inlaid marble pattern also exhibits the evolution of building technique in the 30 year gap, as the pink, grey, and white random tiles that dress the walls were placed in sets in a repeating random pattern, rather than one by one.

Sources and Further Reading:

Hauk, Gary. May 3, 2017. \"Emory from the Sky,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2017/05/03/emory-from-the-sky/

",33.790819627208656,-84.32384932540894,[471,472],"Not constructed until 1951, the History Building, now Bowden Hall, was constructed to match the other buildings on the quadrangle from the teens and twenties, referencing the Beaux Arts designs of Henry Hornbostel. While the arched entrance with architectural detail, in this case a small pediment, calls on those of Convocation Hall, Michael C. Carlos Hall, and the Callaway Memorial Center, the building lacks the glazed tiles found on the earlier buildings entrances and eaves. The inlaid marble pattern also exhibits the evolution of building technique in the 30 year gap, as the pink, grey, and white random tiles that dress the walls were placed in sets in a repeating random pattern, rather than one by one. Sources and Further Reading:Hauk, Gary. May 3, 2017. \"Emory from the Sky,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian. org/2017/05/03/emory-from-the-sky/",[469,470,453],{"_77":467,"_131":276,"_133":468},[],"The History Building","https://api.opentour.site/ecds/v4/public/media/ofehi13vzjx728z7dphy8c8w46bd?variant=desktop","new-stop-1706577305017","henry-l-bowdoin-hall",{"_103":484,"_100":24,"_131":276,"_142":143,"_144":-5,"_145":-5,"_146":485,"_148":486,"_38":487,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":467,"_160":-5,"_186":488},{"_103":473,"_100":172,"_131":474,"_142":143,"_144":-5,"_145":-5,"_146":475,"_148":476,"_38":477,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":478,"_160":-5},165,"The southern side of the Emory quadrangle, with the Henry L. Bowden Hall and the Michael C. Carlos Museum, CC0.","Emory_Quad.jpg",{"_161":479,"_163":480,"_165":481,"_167":482,"_169":483},238,"Bowden Hall (left) and the Michael C. 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Candler Library was constructed between 1924 and 1926 by Edward Tilton with the architecture firm Ivey & Crook. Built using a major donation from Asa Candler, it was Atlanta campus's first dedicated library, as space in the Theology building had been used until then. The architectural ornament of the building calls on the Beaux Arts and Italian Renaissance style of Convocation Hall and Michael C. Carlos Hall, with a grand central arched entrance and window and Georgia marble facing on the walls. The building is dressed in white and grey marble with Etowah Fleuri pink in trim.

Candler Library was later connected by a bridge to the new Woodruff Library after the expansion in 1995.

Sources and Further Reading:

Hauk, Gary S. Emory as Place: Meaning in a University Landscape. Athens, Georgia: The University of Georgia Press Athens, Georgia, 2019.
Keilor, Mia. \"Center for Library and Information Resources, Emory University.\" Architectural Record. vol. 186, no. 10 (October, 1998): 162-63.

",33.79138990706141,-84.3236615707779,[510,511,512,513],"Candler Library was constructed between 1924 and 1926 by Edward Tilton with the architecture firm Ivey & Crook. Built using a major donation from Asa Candler, it was Atlanta campus's first dedicated library, as space in the Theology building had been used until then. The architectural ornament of the building calls on the Beaux Arts and Italian Renaissance style of Convocation Hall and Michael C. Carlos Hall, with a grand central arched entrance and window and Georgia marble facing on the walls. The building is dressed in white and grey marble with Etowah Fleuri pink in trim. Candler Library was later connected by a bridge to the new Woodruff Library after the expansion in 1995.Sources and Further Reading: Hauk, Gary S. Emory as Place: Meaning in a University Landscape. Athens, Georgia: The University of Georgia Press Athens, Georgia, 2019.Keilor, Mia. \"Center for Library and Information Resources, Emory University.\" Architectural Record. vol. 186, no. 10 (October, 1998): 162-63. 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The current Callaway Memorial Center was renovated with the support of the Callaway family in 1997. First constructed separately as the Physics building in 1917-1919 by Henry Hornbostel and the Chemistry and Humanities Building to the north in 1917-1927 by Hornbostel with Ivey & Crook. Built in similar form with cement walls and inlaid Georgia marble, the \nPhysics building only lacked the large arched windows of Convocation \nHall and Michael C. Carlos Hall, as it did not have a two story library \nsection.

Like the earlier Theology and Law buildings, the Physics building was completed using the architectural ornament that Hornbostel designed facing the Emory Quadrangle. The eaves show a repeating pattern of filled and empty shields along with rows of acanthus leaves. The shields on the two corners of the building, facing the Quadrangle each have a \"P\" indicating the intended original function as the Physics building.

Unique to this building, the glazed tiles of the decoration are in multiple colors instead of white. The acanthus leaves and shields are in green with small portions of blue on the sides. The use of multiple colors of glaze on a terra cotta tile had only been introduced to United States in the previous decade, and Hornbostel shows the use of playful colors in his terra cotta tile ornament in other projects, as well. The grand arched window above the entrance shows two simplified Corinthian colonnettes with spiral shafts supporting a wheel of spindles above.

Sources and Further Reading:

Kidney, Walter C., and Henry Hornbostel. Henry Hornbostel: An Architect's Master Touch. Pittsburgh, PA: Pittsburgh History & Landmarks Foundation in cooperation with Robert Rinehart Publishers, 2002.
Thomas, John D. \"Callaway Stock Pays Dividends for Emory.\" Emory Magazine 72, Winter, no. 4 (1997): https://www.emory.edu/EMORY_MAGAZINE/winter97/callabldg.html.

",33.79131894708301,-84.32418191932679,[569,570,571,572,573,574],"The current Callaway Memorial Center was renovated with the support of the Callaway family in 1997. First constructed separately as the Physics building in 1917-1919 by Henry Hornbostel and the Chemistry and Humanities Building to the north in 1917-1927 by Hornbostel with Ivey & Crook. Built in similar form with cement walls and inlaid Georgia marble, the \nPhysics building only lacked the large arched windows of Convocation \nHall and Michael C. Carlos Hall, as it did not have a two story library \nsection. Like the earlier Theology and Law buildings, the Physics building was completed using the architectural ornament that Hornbostel designed facing the Emory Quadrangle. The eaves show a repeating pattern of filled and empty shields along with rows of acanthus leaves. The shields on the two corners of the building, facing the Quadrangle each have a \"P\" indicating the intended original function as the Physics building. Unique to this building, the glazed tiles of the decoration are in multiple colors instead of white. The acanthus leaves and shields are in green with small portions of blue on the sides. The use of multiple colors of glaze on a terra cotta tile had only been introduced to United States in the previous decade, and Hornbostel shows the use of playful colors in his terra cotta tile ornament in other projects, as well. The grand arched window above the entrance shows two simplified Corinthian colonnettes with spiral shafts supporting a wheel of spindles above. Sources and Further Reading:Kidney, Walter C., and Henry Hornbostel. Henry Hornbostel: An Architect's Master Touch. Pittsburgh, PA: Pittsburgh History & Landmarks Foundation in cooperation with Robert Rinehart Publishers, 2002.Thomas, John D. \"Callaway Stock Pays Dividends for Emory.\" Emory Magazine 72, Winter, no. 4 (1997): https://www. emory. edu/EMORY_MAGAZINE/winter97/callabldg. html.",[568,18],{"_77":565,"_131":566,"_133":567},[],"Entrance of Callaway Memorial Center South","Photograph by J. Mundy 2024 CCBY","https://api.opentour.site/ecds/v4/public/media/eszl7f81xb5xdj78dhoa9c0c074v?variant=desktop","new-stop-1706577216693",{"_103":626,"_100":24,"_131":566,"_142":143,"_144":-5,"_145":-5,"_146":627,"_148":628,"_38":629,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":565,"_160":-5,"_186":630},{"_103":616,"_100":172,"_131":617,"_142":143,"_144":-5,"_145":-5,"_146":618,"_148":619,"_38":620,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":605,"_100":140,"_131":606,"_142":143,"_144":-5,"_145":-5,"_146":607,"_148":608,"_38":609,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":610,"_160":-5},{"_103":595,"_100":217,"_131":276,"_142":143,"_144":-5,"_145":-5,"_146":596,"_148":597,"_38":598,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":599,"_160":-5},{"_103":585,"_100":286,"_131":586,"_142":143,"_144":-5,"_145":-5,"_146":587,"_148":588,"_38":589,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":575,"_100":405,"_131":276,"_142":143,"_144":-5,"_145":-5,"_146":576,"_148":577,"_38":578,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":579,"_160":-5},177,"CallawayOrnament2024JMundyCCBY.JPG",{"_161":580,"_163":581,"_165":582,"_167":583,"_169":584},276,"Terracotta Ornament on Callaway Memorial Center","https://api.opentour.site/ecds/v4/public/media/r01d69mkvdu1z441j48wprrtbgl7","https://api.opentour.site/ecds/v4/public/media/r01d69mkvdu1z441j48wprrtbgl7?variant=mobile","https://api.opentour.site/ecds/v4/public/media/r01d69mkvdu1z441j48wprrtbgl7?variant=tablet","https://api.opentour.site/ecds/v4/public/media/r01d69mkvdu1z441j48wprrtbgl7?variant=desktop","https://api.opentour.site/ecds/v4/public/media/r01d69mkvdu1z441j48wprrtbgl7?variant=lqip",189,"From The Emory Campus, 1922, view of the Chemistry and Humanities building, now Callaway Center North. 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C. Carlos Hall",{"_38":407,"_68":18,"_77":553},{"_38":104,"_68":718,"_77":719},"581 South Kilgo Cir NE, Atlanta, GA 30322, USA","

Now attached to the. Michael C. Carlos Museum and housing the Art History Department, the structure of Carlos Hall was built in 1916 and originally functioned as the L.Q.C. Lamar School of Law. The library space was split by a mezzanine in the 1950's. The Law school moved to Gambrell Hall in 1972. At this point, Carlos Hall became the home for the Emory University Museum of Art and Archaeology. Then, Carlos Hall was remodeled in 1983 by architect Michael Graves, along with the construction of the Michael C. Carlos Museum, with the support of the Carlos family. At this time the mezzanine of Carlos Hall was extended to accommodate offices for Anthropology and Art History.

Notice the architectural details included by Hornbostel. Built in the same Beaux Arts style as Convocation hall, the material and architecture form mirror the building across the Quadrangle. The \nornament around the portal shows cotton flowers, referencing Georgia, as on Convocation Hall. The \ndetails on the Michael C. Carlos Hall, both the window ornament and \narchitectural carvings, however, were designed to be appropriate to the original \nfunction of the building as the School of Law. The large arched \nwindows for the original library space, now split between various offices, classrooms, and the Visual Resource Library, show a honeycomb pattern to reference the work ethic of the law students inside. The carvings along the roof line show alternating \nimages of scales and the tablets of the ten commandment to reference the studies of the building.

Sources and Further Reading:

\"Emory University Convocation Hall,\" Emory University, accessed January 30, 2024. https://www.emory.edu/convocation-hall/
Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013).
Hauk, Gary. November 8, 2017. \"An Old Building's Makeover,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2017/11/08/an-old-buildings-makeover/
Hauk, Gary. May 30, 2019. \"Carlos Museum—the transformation.\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2019/05/30/carlos-museum-the-transformation/
Poling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.

",33.79030505115202,-84.32465398811341,[652,653,654,655,656,657],"Now attached to the. Michael C. Carlos Museum and housing the Art History Department, the structure of Carlos Hall was built in 1916 and originally functioned as the L. Q.C. Lamar School of Law. The library space was split by a mezzanine in the 1950's. The Law school moved to Gambrell Hall in 1972. At this point, Carlos Hall became the home for the Emory University Museum of Art and Archaeology. Then, Carlos Hall was remodeled in 1983 by architect Michael Graves, along with the construction of the Michael C. Carlos Museum, with the support of the Carlos family. At this time the mezzanine of Carlos Hall was extended to accommodate offices for Anthropology and Art History. Notice the architectural details included by Hornbostel. Built in the same Beaux Arts style as Convocation hall, the material and architecture form mirror the building across the Quadrangle. The \nornament around the portal shows cotton flowers, referencing Georgia, as on Convocation Hall. The \ndetails on the Michael C. Carlos Hall, both the window ornament and \narchitectural carvings, however, were designed to be appropriate to the original \nfunction of the building as the School of Law. The large arched \nwindows for the original library space, now split between various offices, classrooms, and the Visual Resource Library, show a honeycomb pattern to reference the work ethic of the law students inside. The carvings along the roof line show alternating \nimages of scales and the tablets of the ten commandment to reference the studies of the building. Sources and Further Reading:\"Emory University Convocation Hall,\" Emory University, accessed January 30, 2024. https://www. emory. edu/convocation-hall/Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013).Hauk, Gary. November 8, 2017. \"An Old Building's Makeover,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian. org/2017/11/08/an-old-buildings-makeover/Hauk, Gary. May 30, 2019. \"Carlos Museum—the transformation.\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian. org/2019/05/30/carlos-museum-the-transformation/Poling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.",[650,651,635],{"_77":117,"_131":648,"_133":649},[],"Michael C. Carlos Hall, Photograph uploaded to Flickr by Monika & Tim, CC-BY-NC-SA, in August 2005.","https://api.opentour.site/ecds/v4/public/media/k6msr3vhtf424mifbppxcztpnvi9?variant=desktop","new-stop-1706563469391","carlos-hall",{"_103":709,"_100":24,"_131":648,"_142":143,"_144":-5,"_145":-5,"_146":710,"_148":711,"_38":712,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5,"_186":713},{"_103":699,"_100":172,"_131":700,"_142":143,"_144":-5,"_145":-5,"_146":701,"_148":702,"_38":703,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":688,"_100":140,"_131":689,"_142":143,"_144":-5,"_145":-5,"_146":690,"_148":691,"_38":692,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":693,"_160":-5},{"_103":678,"_100":217,"_131":679,"_142":143,"_144":-5,"_145":-5,"_146":680,"_148":681,"_38":682,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":668,"_100":286,"_131":669,"_142":143,"_144":-5,"_145":-5,"_146":670,"_148":671,"_38":672,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":658,"_100":405,"_131":659,"_142":143,"_144":-5,"_145":-5,"_146":660,"_148":661,"_38":662,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},163,"Michael C. 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Hall",{"_38":457,"_68":635,"_77":636},"Emory University, 505 N Kilgo Cir s, Atlanta, GA 30307, USA","

Convocation Hall was one of the first buildings of Emory's Atlanta campus constructed in 1916, based on Hornbostel's original master plan. It was recently remodeled between 2014 and 2019. Originally the School of Theology with the original campus chapel (Durham Chapel), and then the Pitts Theological Library, the building has now entered a third phase. Constructed as the School of Theology, the building accommodated many functions in the years when space was at a premium. It was renamed the Pitts Theology Library in 1976 in honor of Margaret A. Pitts and her father W. I. H. Pitts. The interior was redesigned at this point by Paul Rudolph, splitting the former chapel into two stories for books. Thank you to T. Kearns and the Pitts Theology Library for images of the interior during this period. With continued growth, the new Pitts Theology Library was built in 2014 behind Convocation Hall to the north, away from the Quadrangle. This allowed for the recent renovation of Convocation Hall, restoring the former chapel into a large central meeting space.

Notice the architectural details included by Hornbostel. The building calls on Italian Renaissance elements in its use of arches and local marble. Like the details on the Michael C. Carlos Hall, both the window ornament and architectural carvings were designed to be appropriate to the original function of the building as the School of Theology. The ornament around the arched portal shows cotton flowers, referencing Georgia. The large arched windows for the original library space, now a large meeting room, apply Gothic detail to recall the original Theological function inside. The carvings along the roof line show alternating images of the crown of thorns and crosses to reference the interior, as well.

The building was also designed using the local marble from Tate, Georgia, to call on the Italian Renaissance use of local marble. Georgia marble was also noted for being extremely hard, making it durable for exterior use. The walls are simple and built in concrete, giving a slightly modern edge to the Beaux Arts building. Hornbostel discovered the marble at the quarry as an affordable option. The slabs were first cuttings, thin slabs with one rough side cut off to smooth blocks of marble. The slabs were polished and the rough side set into the marble in a random pattern. On the interior, Durham Chapel, is lined in the pink Etowah Fleuri marble.

Sources and Further Reading:

\"About Pitts,\" Pitts Theology Library, 2020, accessed March 19, 2024. https://pitts.emory.edu/about/about-pitts/.
\"Emory University Convocation Hall,\" Emory University, accessed January 30, 2024. https://www.emory.edu/convocation-hall/
Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013).
Hauk, Gary. November 8, 2017. \"An Old Building's Makeover,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2017/11/08/an-old-buildings-makeover/
Kearns, Terry. 2009. \"Architecture Tourist: Pitts Theology Library, Emory University.\" Architecture Tourist, Updated 11/08/Sunday, 2009, accessed March 19, 2024, https://architecturetourist.blogspot.com/2009/11/pitts-theology-library-emory-university.html.
North, Arthur T. \"Emory University, Atlanta, Georgia.\" The American Architect and Architecture. vol.118 no. 2337 (October 06, 1920): 429-32. http://archive.org/details/sim_american-architect-and-architecture_1920-10-06_118_2337.
Poling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.

",33.79083032003567,-84.32507241271973,[733,734,735,736,737,738,739,740,741,742,743,744,745],"Convocation Hall was one of the first buildings of Emory's Atlanta campus constructed in 1916, based on Hornbostel's original master plan. It was recently remodeled between 2014 and 2019. Originally the School of Theology with the original campus chapel (Durham Chapel), and then the Pitts Theological Library, the building has now entered a third phase. Constructed as the School of Theology, the building accommodated many functions in the years when space was at a premium. It was renamed the Pitts Theology Library in 1976 in honor of Margaret A. Pitts and her father W. I. H. Pitts. The interior was redesigned at this point by Paul Rudolph, splitting the former chapel into two stories for books. Thank you to T. Kearns and the Pitts Theology Library for images of the interior during this period. With continued growth, the new Pitts Theology Library was built in 2014 behind Convocation Hall to the north, away from the Quadrangle. This allowed for the recent renovation of Convocation Hall, restoring the former chapel into a large central meeting space. Notice the architectural details included by Hornbostel. The building calls on Italian Renaissance elements in its use of arches and local marble. Like the details on the Michael C. Carlos Hall, both the window ornament and architectural carvings were designed to be appropriate to the original function of the building as the School of Theology. The ornament around the arched portal shows cotton flowers, referencing Georgia. The large arched windows for the original library space, now a large meeting room, apply Gothic detail to recall the original Theological function inside. The carvings along the roof line show alternating images of the crown of thorns and crosses to reference the interior, as well. The building was also designed using the local marble from Tate, Georgia, to call on the Italian Renaissance use of local marble. Georgia marble was also noted for being extremely hard, making it durable for exterior use. The walls are simple and built in concrete, giving a slightly modern edge to the Beaux Arts building. Hornbostel discovered the marble at the quarry as an affordable option. The slabs were first cuttings, thin slabs with one rough side cut off to smooth blocks of marble. The slabs were polished and the rough side set into the marble in a random pattern. On the interior, Durham Chapel, is lined in the pink Etowah Fleuri marble. Sources and Further Reading:\"About Pitts,\" Pitts Theology Library, 2020, accessed March 19, 2024. https://pitts. emory. edu/about/about-pitts/.\"Emory University Convocation Hall,\" Emory University, accessed January 30, 2024. https://www. emory. edu/convocation-hall/Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013).Hauk, Gary. November 8, 2017. \"An Old Building's Makeover,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian. org/2017/11/08/an-old-buildings-makeover/Kearns, Terry. 2009. \"Architecture Tourist: Pitts Theology Library, Emory University.\" Architecture Tourist, Updated 11/08/Sunday, 2009, accessed March 19, 2024, https://architecturetourist. blogspot. com/2009/11/pitts-theology-library-emory-university. html. North, Arthur T. \"Emory University, Atlanta, Georgia.\" The American Architect and Architecture. vol.118 no. 2337 (October 06, 1920): 429-32. http://archive. org/details/sim_american-architect-and-architecture_1920-10-06_118_2337.Poling, Clark V. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology, 1985.",[732,718],{"_77":117,"_131":730,"_133":731},[],"The Theology Building, later Convocation Hall, viewed in the Emory Campus, 1921, no copyright","https://api.opentour.site/ecds/v4/public/media/cn143752av6swxtsn48v17xjlqsh?variant=desktop","new-stop-1706562904741",{"_103":859,"_100":24,"_131":730,"_142":143,"_144":-5,"_145":-5,"_146":860,"_148":861,"_38":862,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5,"_186":863},{"_103":849,"_100":172,"_131":850,"_142":143,"_144":-5,"_145":-5,"_146":851,"_148":852,"_38":853,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":839,"_100":140,"_131":840,"_142":143,"_144":-5,"_145":-5,"_146":841,"_148":842,"_38":843,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":117,"_160":-5},{"_103":830,"_100":217,"_131":-5,"_142":143,"_144":-5,"_145":-5,"_146":831,"_148":832,"_38":833,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":831,"_160":-5},{"_103":819,"_100":286,"_131":820,"_142":143,"_144":-5,"_145":-5,"_146":821,"_148":822,"_38":823,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":824,"_160":-5},{"_103":810,"_100":405,"_131":-5,"_142":143,"_144":-5,"_145":-5,"_146":811,"_148":812,"_38":813,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":811,"_160":-5},{"_103":801,"_100":339,"_131":-5,"_142":143,"_144":-5,"_145":-5,"_146":802,"_148":803,"_38":804,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":802,"_160":-5},{"_103":792,"_100":262,"_131":-5,"_142":143,"_144":-5,"_145":-5,"_146":793,"_148":794,"_38":795,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":793,"_160":-5},{"_103":783,"_100":196,"_131":-5,"_142":143,"_144":-5,"_145":-5,"_146":784,"_148":785,"_38":786,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":784,"_160":-5},{"_103":772,"_100":72,"_131":773,"_142":143,"_144":-5,"_145":-5,"_146":774,"_148":775,"_38":776,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":777,"_160":-5},{"_103":770,"_100":87,"_131":228,"_142":143,"_144":-5,"_145":-5,"_146":229,"_148":771,"_38":231,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":232,"_160":-5},{"_103":758,"_100":759,"_131":760,"_142":143,"_144":-5,"_145":-5,"_146":761,"_148":762,"_38":763,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":764,"_160":-5},{"_103":746,"_100":747,"_131":748,"_142":143,"_144":-5,"_145":-5,"_146":749,"_148":750,"_38":751,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":752,"_160":-5},232,13,"Pitts Theology Library, Atlanta AIA Tour of Cannon Chapel (architect Paul Rudolph) and Pitts Theology Library, Emory University, November 7, 2009.\nPhotograph courtesy of T. Kearns (https://www.flickr.com/photos/terrykearns/4083985055/in/photostream/). Copyrighted, All Rights Reserved.","Kearns-PB071484-Pitts-Theology-Library-2ndFl-Lobby-Curves.jpg",{"_161":753,"_163":754,"_165":755,"_167":756,"_169":757},407,"Pitts Theology Library Second Floor Lobby, by T. Kearns, Nov. 7, 2009","https://api.opentour.site/ecds/v4/public/media/ecds%2F1sryuyyoh097yobs86fuqwrbq6ld","https://api.opentour.site/ecds/v4/public/media/ecds%2F1sryuyyoh097yobs86fuqwrbq6ld?variant=mobile","https://api.opentour.site/ecds/v4/public/media/ecds%2F1sryuyyoh097yobs86fuqwrbq6ld?variant=tablet","https://api.opentour.site/ecds/v4/public/media/ecds%2F1sryuyyoh097yobs86fuqwrbq6ld?variant=desktop","https://api.opentour.site/ecds/v4/public/media/ecds%2F1sryuyyoh097yobs86fuqwrbq6ld?variant=lqip",231,12,"Pitts Theology Library, Atlanta AIA Tour of Cannon Chapel (architect Paul Rudolph) and Pitts Theology Library, Emory University, November 7, 2009.\nPhotograph courtesy of T. Kearns (https://www.flickr.com/photos/terrykearns/4083985519/in/photostream/). Copyrighted, All Rights Reserved.","Kearns-PB071486-Pitts-Theology-Library-Stacks-Window.jpg",{"_161":765,"_163":766,"_165":767,"_167":768,"_169":769},406,"Pitts Theology Library Stacks Window, by T. Kearns, Nov. 7, 2009","https://api.opentour.site/ecds/v4/public/media/ecds%2F6zqbb7pq9gsz0y7p6w6e5h5tq8s7","https://api.opentour.site/ecds/v4/public/media/ecds%2F6zqbb7pq9gsz0y7p6w6e5h5tq8s7?variant=mobile","https://api.opentour.site/ecds/v4/public/media/ecds%2F6zqbb7pq9gsz0y7p6w6e5h5tq8s7?variant=tablet","https://api.opentour.site/ecds/v4/public/media/ecds%2F6zqbb7pq9gsz0y7p6w6e5h5tq8s7?variant=desktop","https://api.opentour.site/ecds/v4/public/media/ecds%2F6zqbb7pq9gsz0y7p6w6e5h5tq8s7?variant=lqip",194,{"_161":233,"_163":234,"_165":235,"_167":236,"_169":237},209,"Rudolph, Paul, Architect. Emory University Pitts Theology Library Addition and William R. Cannon Chapel. United States Atlanta Georgia, 1974. [to 1975] Photograph. https://www.loc.gov/item/2023675804/.","LOC-Rudolph-05100-05115v.jpg",{"_161":778,"_163":779,"_165":780,"_167":781,"_169":782},330,"Section Drawing of Rudolph Remodel of Pitts Theology Library","https://api.opentour.site/ecds/v4/public/media/m7jxtn9fbnx5aafp8s8eihz587ej","https://api.opentour.site/ecds/v4/public/media/m7jxtn9fbnx5aafp8s8eihz587ej?variant=mobile","https://api.opentour.site/ecds/v4/public/media/m7jxtn9fbnx5aafp8s8eihz587ej?variant=tablet","https://api.opentour.site/ecds/v4/public/media/m7jxtn9fbnx5aafp8s8eihz587ej?variant=desktop","https://api.opentour.site/ecds/v4/public/media/m7jxtn9fbnx5aafp8s8eihz587ej?variant=lqip",185,"ConvocationTilesCCBYJMundy2024.JPG",{"_161":787,"_163":788,"_165":789,"_167":790,"_169":791},284,"https://api.opentour.site/ecds/v4/public/media/vaarmgfqoqmqlyt6bfnmes53xyrj","https://api.opentour.site/ecds/v4/public/media/vaarmgfqoqmqlyt6bfnmes53xyrj?variant=mobile","https://api.opentour.site/ecds/v4/public/media/vaarmgfqoqmqlyt6bfnmes53xyrj?variant=tablet","https://api.opentour.site/ecds/v4/public/media/vaarmgfqoqmqlyt6bfnmes53xyrj?variant=desktop","https://api.opentour.site/ecds/v4/public/media/vaarmgfqoqmqlyt6bfnmes53xyrj?variant=lqip",184,"ConvocationOrnament2024JMundyCCBY.JPG",{"_161":796,"_163":797,"_165":798,"_167":799,"_169":800},283,"https://api.opentour.site/ecds/v4/public/media/v013gmrm7ilbige3urzmuvc9rlk4","https://api.opentour.site/ecds/v4/public/media/v013gmrm7ilbige3urzmuvc9rlk4?variant=mobile","https://api.opentour.site/ecds/v4/public/media/v013gmrm7ilbige3urzmuvc9rlk4?variant=tablet","https://api.opentour.site/ecds/v4/public/media/v013gmrm7ilbige3urzmuvc9rlk4?variant=desktop","https://api.opentour.site/ecds/v4/public/media/v013gmrm7ilbige3urzmuvc9rlk4?variant=lqip",182,"ConvocationEntrance2024CCBYJMundy.JPG",{"_161":805,"_163":806,"_165":807,"_167":808,"_169":809},281,"https://api.opentour.site/ecds/v4/public/media/kkdm4loupnuiimm60kqg2tqtxsrn","https://api.opentour.site/ecds/v4/public/media/kkdm4loupnuiimm60kqg2tqtxsrn?variant=mobile","https://api.opentour.site/ecds/v4/public/media/kkdm4loupnuiimm60kqg2tqtxsrn?variant=tablet","https://api.opentour.site/ecds/v4/public/media/kkdm4loupnuiimm60kqg2tqtxsrn?variant=desktop","https://api.opentour.site/ecds/v4/public/media/kkdm4loupnuiimm60kqg2tqtxsrn?variant=lqip",183,"ConvocationEntranceTile2024JMundyCCBY.JPG",{"_161":814,"_163":815,"_165":816,"_167":817,"_169":818},282,"https://api.opentour.site/ecds/v4/public/media/7kvomzp1w0iw90c6sq5q192i2f8a","https://api.opentour.site/ecds/v4/public/media/7kvomzp1w0iw90c6sq5q192i2f8a?variant=mobile","https://api.opentour.site/ecds/v4/public/media/7kvomzp1w0iw90c6sq5q192i2f8a?variant=tablet","https://api.opentour.site/ecds/v4/public/media/7kvomzp1w0iw90c6sq5q192i2f8a?variant=desktop","https://api.opentour.site/ecds/v4/public/media/7kvomzp1w0iw90c6sq5q192i2f8a?variant=lqip",211,"Photograph courtesy of Pitts Theology Library, Candler School of Theology, Emory University. Copyrighted, All Rights Reserved.","CSTA011_Box1_Folder9_002.jpg",{"_161":825,"_163":826,"_165":827,"_167":828,"_169":829},333,"Interior of Pitts Theology Library with Mezzanine","https://api.opentour.site/ecds/v4/public/media/h8ibv0w46yyo4bftam945vufovdi","https://api.opentour.site/ecds/v4/public/media/h8ibv0w46yyo4bftam945vufovdi?variant=mobile","https://api.opentour.site/ecds/v4/public/media/h8ibv0w46yyo4bftam945vufovdi?variant=tablet","https://api.opentour.site/ecds/v4/public/media/h8ibv0w46yyo4bftam945vufovdi?variant=desktop","https://api.opentour.site/ecds/v4/public/media/h8ibv0w46yyo4bftam945vufovdi?variant=lqip",181,"ConvocationHall2024JMundyCCBY.JPG",{"_161":834,"_163":835,"_165":836,"_167":837,"_169":838},280,"https://api.opentour.site/ecds/v4/public/media/5guyqru3xjn4vozg958mhbjpgyg9","https://api.opentour.site/ecds/v4/public/media/5guyqru3xjn4vozg958mhbjpgyg9?variant=mobile","https://api.opentour.site/ecds/v4/public/media/5guyqru3xjn4vozg958mhbjpgyg9?variant=tablet","https://api.opentour.site/ecds/v4/public/media/5guyqru3xjn4vozg958mhbjpgyg9?variant=desktop","https://api.opentour.site/ecds/v4/public/media/5guyqru3xjn4vozg958mhbjpgyg9?variant=lqip",170,"The Theological Chapel, also called Durham Chapel, which was later split by a mezzanine, and then restored for 2019 to a reception room, seen in the Emory Campus, 1921, no copyright","EmoryCampus1921_Chapelcrop.jpg",{"_161":844,"_163":845,"_165":846,"_167":847,"_169":848},266,"https://api.opentour.site/ecds/v4/public/media/x45awhu74a5yyrpdudlwe9zg7erb","https://api.opentour.site/ecds/v4/public/media/x45awhu74a5yyrpdudlwe9zg7erb?variant=mobile","https://api.opentour.site/ecds/v4/public/media/x45awhu74a5yyrpdudlwe9zg7erb?variant=tablet","https://api.opentour.site/ecds/v4/public/media/x45awhu74a5yyrpdudlwe9zg7erb?variant=desktop","https://api.opentour.site/ecds/v4/public/media/x45awhu74a5yyrpdudlwe9zg7erb?variant=lqip",155,"Convocation Hall when it was the Pitts Theology Library, 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Emory Quad from the West","Photograph 2024 by J. Mundy, CCBY.","https://api.opentour.site/ecds/v4/public/media/yq2vcf6wlz9kfxuapeemsgh0csoe?variant=desktop",{"_103":452,"_38":24,"_77":876},{"_103":874,"_38":217,"_77":875},119,"WALKING","BICYCLING",{"_103":907,"_100":24,"_131":870,"_142":143,"_144":-5,"_145":-5,"_146":908,"_148":909,"_38":910,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":869,"_160":-5,"_186":911},{"_103":897,"_100":172,"_131":883,"_142":143,"_144":-5,"_145":-5,"_146":898,"_148":899,"_38":900,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":901,"_160":-5},{"_103":895,"_100":140,"_131":474,"_142":143,"_144":-5,"_145":-5,"_146":475,"_148":896,"_38":477,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":478,"_160":-5},{"_103":893,"_100":217,"_131":141,"_142":143,"_144":-5,"_145":-5,"_146":147,"_148":894,"_38":150,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":159,"_160":-5},{"_103":882,"_100":286,"_131":883,"_142":143,"_144":-5,"_145":-5,"_146":884,"_148":885,"_38":886,"_151":152,"_153":154,"_155":-5,"_156":-5,"_157":158,"_77":887,"_160":-5},95,"The original plan for the center of the Emory quadrangle, designed by Henry Hornbostel from the Emory Campus, 1919. This drawing faces the quadrangle from the southwest, generally from the position of the current University Administration building. See at the Emory Library Digital Collections: https://digital.library.emory.edu/catalog/5805x69pr3-cor. 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This tour was created for Art History 393R, Introduction to 3D Modeling for Architecture.

J. Mundy
Emory Center for Digital Scholarship

Sources and Further Reading:

\"About Pitts,\" Pitts Theology Library, 2020, accessed March 19, 2024. https://pitts.emory.edu/about/about-pitts/.
\"Emory University Convocation Hall,\" Emory University, accessed January 30, 2024. https://www.emory.edu/convocation-hall/
\"Georgia marble continues to be a mainstay on college campus.\" April 1, 2008. Stone World, accessed January 30, 2024. https://www.stoneworld.com/articles/85075-georgia-marble-continues-to-be-a-mainstay-on-college-campus
\"White Hall | Emory University | Atlanta Ga.\" 2024, accessed \nMarch 19, 2024, \nhttps://filming.emory.edu/film-locations/mc_whitehall.html.
Craig, R. M. 2012. \"Emory University Quadrangle, Atlanta, Georgia.\" SAH Archipedia, accessed March 19, 2024, from https://sah-archipedia.org/buildings/GA-01-089-0052.
Fletcher, Dorothy. \"Campus Tour.\" Art History 102 (class lecture, Emory University, Atlanta, GA, April 17, 2013).
Gournay, Isabelle, Paul G. Beswick, Gerald W. Sams, and American Institute of Architects. 1993. AIA Guide to the Architecture of Atlanta. Athens: University of Georgia Press.
Graves, Michael. 1982. \"A Case for Figurative Architecture.\" In \nMichael Graves, Buildings and Projects, 1966-1981, edited by M. Graves, \nV. Scully, K.V. Nichols, P. Arnell and T. Bickford, 11-13: Rizzoli.
Hauk, Gary S. 2019. Emory as Place: Meaning in a University Landscape. Athens, Georgia: The University of Georgia Press Athens, Georgia.
Hauk, Gary. May 3, 2017. \"Emory from the Sky,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2017/05/03/emory-from-the-sky/
Hauk, Gary. November 8, 2017. \"An Old Building's Makeover,\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2017/11/08/an-old-buildings-makeover/
Hauk, Gary. May 30, 2019. \"Carlos Museum—the transformation.\" Emory Historian's Blog, accessed January 30, 2024. https://emoryhistorian.org/2019/05/30/carlos-museum-the-transformation/
Hauk,\n Gary S. 2019. \"Mr. Woodruff and the Three Wise Men,\" Emory Historian's Blog, accessed March 19, 2024. \nhttps://emoryhistorian.org/2019/02/07/mr-woodruff-and-the-three-wise-men/.
Kearns, Terry. 2009. \"Architecture Tourist: Pitts Theology Library, Emory University.\" Architecture Tourist,\n Updated 11/08/Sunday, 2009, accessed March 19, 2024, \nhttps://architecturetourist.blogspot.com/2009/11/pitts-theology-library-emory-university.html.
Keilor, Mia. \"Center for Library and Information Resources, Emory University.\" Architectural Record. vol. 186, no. 10 (October, 1998): 162-63.
Kidney, Walter C., and Henry Hornbostel. 2002. Henry Hornbostel: An Architect's Master Touch. Pittsburgh, PA: Pittsburgh History & Landmarks Foundation in cooperation with Robert Rinehart Publishers.
kttanaka. 2019. \"Woodruff Library’s 50th Anniversary!\" Emory Libraries Blog, \n(October 28, 2019), accessed March 19, 2024. \nhttps://scholarblogs.emory.edu/woodruff/news/woodruff-library-turns-50.
Michael Graves Firm. \"Michael C. Carlos Museum, Emory University,\" accessed January 30, 2024. https://michaelgraves.com/legacy-project/michael-c-carlos-museum-emory-university/
North, Arthur T. \"Emory University, Atlanta, Georgia.\" The American Architect and Architecture. vol.118\n no. 2337 (October 06, 1920): 429-32. \nhttp://archive.org/details/sim_american-architect-and-architecture_1920-10-06_118_2337.
Poling, Clark V. 1985. Henry Hornbostel, Michael Graves: an Exhibition of \nArchitectural Drawings, Photographs and Models, March 7-May 15, 1985, \nEmory University Museum of Art and Archaeology, Michael C. Carlos Hall, \nEmory University, Atlanta, Georgia. Atlanta, Georgia: Emory Museum of Art and Archaeology.
Rudolph,\n Paul. \"[Emory University (Pitts Theology Library Addition and William \nR. Cannon Chapel)].\" still image. (1974 1974). \nhttps://www.loc.gov/pictures/item/2023675740/.
Rudolph, Paul. \n\"[Emory University (Pitts Theology Library Addition and William R. \nCannon Chapel)].\" [In en]. still image. (1974 1974). \nhttps://www.loc.gov/pictures/item/2023675853/.
Thomas,\n John D. \"Callaway Stock Pays Dividends for Emory.\" Emory Magazine 72, \nWinter, no. 4 (1997): \nhttps://www.emory.edu/EMORY_MAGAZINE/winter97/callabldg.html.
Wilk, Christopher. 2011. \"Michael Graves and the Figurative Impulse.\" In Postmodernism: Style and Subversion, 1970-1990,\n edited by Glenn Adamson, Jane Pavitt, and Paola Antonelli, 228-233. \nLondon, New York: V & A Pub.; Distributed in North America by Harry \nN. Abrams Inc. London, New York.

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This Tour Site has tours created by members of ECDS, including local architecture, tours for classes, and tours related to ECDS digital projects.

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